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Improvisation, Analysis, and Listening Otherwise
13 references·5 citing·34 second hop
Improvisation, Analysis, and Listening Otherwise (2013)Improvisation, Analysis, and Listening Ot…Tonality and transformation (2011)Tonality and transformationTonality and Transformation (2011)Tonality and TransformationMobilitas Animi: Improvising Technologies, Intending Chance (2007)Mobilitas Animi: Improvising …How We Got Out of Analysis, and How to Get Back In Again (2004)How We Got Out of Analysis, a…Improvisation as ‘Other’: Creativity, Knowledge and Power – The Case of Iranian Classical Music (2003)Improvisation as ‘Other’: Cre…Hugo Riemann and the Birth of Modern Musical Thought (2003)Hugo Riemann and the Birth of…Thing Theory (2001)Thing TheoryTheology, Music and Time (2000)Theology, Music and TimeMusic as Cultural Practice, 1800-1900 (1991)Music as Cultural Practice, 1…Music and Discourse: Toward a Semiology of Music (1991)Music and Discourse: Toward a…A Guide to Musical Analysis (1988)A Guide to Musical AnalysisMusic Theory, Phenomenology, and Modes of Perception (1986)Music Theory, Phenomenology, …Improvisation: Its Nature And Practice In Music (1980)Improvisation: Its Nature And…Melodic Transformation in George Garzone’s Triadic Chromatic Approach; or, Jazz, Math, and Basket Weaving (2022)Melodic Transformation in Geo…Improvisatory Exercises as Analytical Tool (2019)Improvisatory Exercises as An…Improvisational Fictions (2013)Improvisational FictionsEntextualization and the Improvised Past (2013)Entextualization and the Impr…Critical Responses to “Theorizing Improvisation (Musically)” (2013)Critical Responses to “Theori…Culture: the anthropologists' account (2000)Breaking away from set patterns of thinking: Improvisation and divergent thinking (2013)Musical improvisation and health: a review (2014)Improvisation facilitates divergent thinking and creativity: Realizing a benefit of primary school arts education. (2015)Culture and Imperialism (2017)Music: A Very Short Introduction (2021)Source Readings in Music History (1950)The Anxiety of Influence (1973)Bodily Hearing: Physiological Metaphors and Musical Understanding (1999)Action and Agency Revisited (2013)Music and Ethical Responsibility (2014)Improvised Music after 1950: Afrological and Eurological Perspectives (1996)Organizational Improvisation and Organizational Memory (1998)The Convergence of Planning and Execution: Improvisation in New Product Development (1998)The so-called ‘flattened seventh’ in rock (1995)Epistemologies of music theory (2002)Form, Program, and Metaphor in the Music of Berlioz (2009)Minimal Challenges: Process Music and the Uses of Formalist Analysis (2006)Music as Discourse (2008)Broken Beauty (2018)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music (1999)Theorizing Musical Meaning (2001)Toward an Ecology of Materials (2010)Human‐thing entanglement: towards an integrated archaeological perspective (2011)For Whom the Ontology Turns: Theorizing the Digital Real (2016)The Viennese symphony 1750 to 1827 (2013)Changing Content in Flagship Music Theory Journals, 1979–2014 (2017)Fretboard Transformations (2018)Uncanny Resemblances: Tonal Signification in the Freudian Age (2004)Music Education and Cultural Identity (2005)Performing History: The Importance of Occasions (2005)Enacting Musical Time (2019)The Poetry and Music of Science (2019)
this work references cited by second hop

References

  • 2001Thing Theory1,168 cited
  • 1980Improvisation: Its Nature And Practice In Music670 cited
  • 1991Music and Discourse: Toward a Semiology of Music510 cited
  • 1988A Guide to Musical Analysis341 cited
  • 1986Music Theory, Phenomenology, and Modes of Perception319 cited
  • 2000Theology, Music and Time257 cited
  • 1991Music as Cultural Practice, 1800-1900230 cited
  • 2004How We Got Out of Analysis, and How to Get Back In Again189 cited
  • 2011Tonality and Transformation140 cited
  • 2003Improvisation as ‘Other’: Creativity, Knowledge and Power – The Case of Iranian Classical Music110 cited
  • 2003Hugo Riemann and the Birth of Modern Musical Thought103 cited
  • 2011Tonality and transformation79 cited
  • 2007Mobilitas Animi: Improvising Technologies, Intending Chance33 cited

Cited by

  • 2013Critical Responses to “Theorizing Improvisation (Musically)”9 cited
  • 2019Improvisatory Exercises as Analytical Tool5 cited
  • 2013Improvisational Fictions5 cited

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  • 2013Entextualization and the Improvised Past4 cited
  • 2022Melodic Transformation in George Garzone’s Triadic Chromatic Approach; or, Jazz, Math, and Basket Weaving4 cited