Critical Responses to “Theorizing Improvisation (Musically)”

Abstract

This paper constitutes a response to selected topics and issues discussed by panelists in the 2012 joint AMS/SEM/SMT session on improvisation. The growth of critical improvisation studies is discussed, the place of music in the field and the implications for interdisciplinary scholarship are examined, as well as issues related to musical analysis, listening and intentionality, the ideologically charged relationship of improvisation to composition, histories of improvisation outside of musical domains, possible theoretical and conceptual migrations of ideas from music to nonmusical domains, digital interactivity, improvisation as a basis for intercultural, transnational, and human-machine communication, and the impact of improvisation considered as a fundamental human condition.

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