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Critical Responses to “Theorizing Improvisation (Musically)”
13 references·2 citing·27 second hop
Critical Responses to “Theorizing Improvisation (Musically)” (2013)Critical Responses to “Theorizing Improvi…Oxford Handbook of Critical Improvisation Studies (2016)Oxford Handbook of Critical I…Renaissance Improvisation and Musicology (2013)Renaissance Improvisation and…Improvisation, Analysis, and Listening Otherwise (2013)Improvisation, Analysis, and …Contemplating the Concept of Improvisation and Its History in Scholarship (2013)Contemplating the Concept of …Music in the Moment (2007)Music in the MomentThe Improvisation of Musical Dialogue (2003)The Improvisation of Musical …Composers at Work: The Craft of Musical Composition 1450-1600 (1998)Composers at Work: The Craft …The Black Atlantic: Modernity and Double Consciousness. (1997)The Black Atlantic: Modernity…Composers at Work (1997)Composers at WorkNoise, the Political Economy of Music (1989)Noise, the Political Economy …Noise... The Political Economy of Music (1988)Noise... The Political Econom…Music as Heard: A Study in Applied Phenomenology (1984)Music as Heard: A Study in Ap…Shakespeare's Use of the Arts of Language (1949)Shakespeare's Use of the Arts…Improvisatory Exercises as Analytical Tool (2019)Improvisatory Exercises as An…Entextualization and the Improvised Past (2013)Entextualization and the Impr…The seventeenth-century musical ‘work’ (2005)‘High’ clefs in composition and performance (2006)Women and Music in Sixteenth-Century Ferrara (2018)Methodological nationalism and beyond: nation–state building, migration and the social sciences (2002)Editorial: Mobilities, Immobilities and Moorings (2006)The New Mobilities Paradigm (2006)Philosophical Perspectives On Music’s Expressiveness (2001)Art and Intention (2005)Compositions, Scores, Performances, Meanings (2012)Club cultures: music, media and subcultural capital (1996)A Sweet Lullaby for World Music (2000)Classification as Culture: Types and Trajectories of Music Genres (2008)Politeness theory and Shakespeare's four major tragedies (1989)ORTHOGRAPHY AND PUNCTUATION (2000)The Cambridge History of the English Language (2000)Doing anthropology in sound (2004)Music, health, and well-being: A review (2013)Musical choices during group free improvisation: A qualitative psychological investigation (2015)Mapping visions of improvisation pedagogy in music education research (2019)Metabolae, arborescences and the reconstruction of time in Iannis Xenakis'Psappha (1993)Musical Style and Experience in a Brooklyn Pentecostal Church: An "Insider's" Perspective (2000)From music-beat to heart-beat: A journey in the complex interactions between music, brain and heart (2011)"And Josquin Laughed..." Josquin and the Composer's Anecdote in the Sixteenth Century (1999)Hidden Forms in Palestrina's First Book of Four-Voice Motets (2007)What is Reflection‐In‐Action? A Phenomenological Account (2009)Music, Language, and Texts: Sound and Semiotic Ethnography (2012)Music and Ethical Responsibility (2014)
this work references cited by second hop

References

  • 1997The Black Atlantic: Modernity and Double Consciousness.4,759 cited
  • 1989Noise, the Political Economy of Music710 cited
  • 1988Noise... The Political Economy of Music600 cited
  • 2016Oxford Handbook of Critical Improvisation Studies223 cited
  • 2003The Improvisation of Musical Dialogue199 cited
  • 1949Shakespeare's Use of the Arts of Language181 cited
  • 1997Composers at Work150 cited
  • 1984Music as Heard: A Study in Applied Phenomenology124 cited
  • 2007Music in the Moment98 cited
  • 1998Composers at Work: The Craft of Musical Composition 1450-160069 cited
  • 2013Renaissance Improvisation and Musicology21 cited
  • 2013Improvisation, Analysis, and Listening Otherwise11 cited
  • 2013Contemplating the Concept of Improvisation and Its History in Scholarship10 cited

Cited by

  • 2019Improvisatory Exercises as Analytical Tool5 cited
  • 2013Entextualization and the Improvised Past4 cited

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