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‘From grade B thrillers to deluxe chillers’: prestige horror, female audiences, and allegories of spectatorship inThe Spiral Staircase(1946)
16 references·0 citing·29 second hop
‘From grade B thrillers to deluxe chillers’: prestige horror, female audiences, and allegories of spectatorship inThe Spiral Staircase(1946) (2009)‘From grade B thrillers to deluxe chiller…The Monstrous-Feminine (2015)The Monstrous-FeminineFilm Genre: Hollywood and Beyond (2005)Film Genre: Hollywood and Bey…Perverse spectators: the practices of film reception (2001)Perverse spectators: the prac…Perverse Spectators: The Practices of Film Reception (2000)Perverse Spectators: The Prac…The monster show: a cultural history of horror (1993)The monster show: a cultural …The Desire to Desire: The Woman's Film of The 1940s (1993)The Desire to Desire: The Wom…Men, women, and chain saws: gender in the modern horror film (1992)Men, women, and chain saws: g…Monsters and mad scientists: a cultural history of the horror movie (1990)Monsters and mad scientists: …Home is where the heart is: studies in melodrama and the woman's film (1988)Home is where the heart is: s…The Desire to Desire (1987)The Desire to DesireHer Body, Himself: Gender in the Slasher Film (1987)Her Body, Himself: Gender in …Re-Vision: Essays in Feminist Film Criticism (1986)Re-Vision: Essays in Feminist…Dreadful Pleasures: An Anatomy of Modern Horror (1985)Dreadful Pleasures: An Anatom…The Home Front and Beyond: American Women in the 1940s (1983)The Home Front and Beyond: Am…Visual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…Families Under Stress: Adjustment to the Crises of War Separation and Reunion. (1950)Families Under Stress: Adjust…Film Bodies: Gender, Genre, and Excess (1991)Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism (2000)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)The Startle Effect: Implications for Spectator Cognition and Media Theory (2000)Monsters Evolve: A Biocultural Approach to Horror Stories (2012)Locating Zombies in the Sociology of Popular Culture (2013)Marxism and media studies: key concepts and contemporary trends (2004)Television's “New” Feminism: Prime-Time Representations of Women and Victimization (2006)Posthuman Critical Theory (2016)Fear in the News: A Discourse of Control (1999)Beyond the Rhetoric of Student Voice: new departures or new constraints in the transformation of 21st century schooling? (2001)Media and Violence: Gendering the Debates (2005)Masochism and the perverse pleasures of the cinema (1984)Tracking the Vampire (1991)Yearnings: televisual love and melodramatic politics in contemporary China (1994)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)Understanding Popular Culture (2006)This Essentialism Which Is Not One: Coming To Grips With Irigaray (1989)"Having it Ally ": Popular Television (Post-)Feminism (2002)SYMBOLIC REALITY BITES: WOMEN AND RACIAL/ETHNIC MINORITIES IN MODERN FILM (2002)The Cambridge Companion to Gothic Fiction (2002)A web of fantasies: gaze, image, and gender in Ovid's Metamorphoses (2006)The Mind‐Game Film (2008)WHY HORROR? THE PECULIAR PLEASURES OF A POPULAR GENRE (1997)Anime from Akira to Princess Mononoke (2001)In Defense of Sentimentality (2004)Die Produktivität der Aneignung — Zur Soziologie medialer Fankulturen (1993)Of Power Maniacs and Unethical Geniuses: Science and Scientists in Fiction Film (2003)
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References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 1992Men, women, and chain saws: gender in the modern horror film1,065 cited
  • 1988Home is where the heart is: studies in melodrama and the woman's film719 cited
  • 1987The Desire to Desire636 cited
  • 2015The Monstrous-Feminine456 cited
  • 1993The Desire to Desire: The Woman's Film of The 1940s344 cited
  • 1986Re-Vision: Essays in Feminist Film Criticism310 cited
  • 1990Monsters and mad scientists: a cultural history of the horror movie300 cited
  • 1985Dreadful Pleasures: An Anatomy of Modern Horror262 cited
  • 1993The monster show: a cultural history of horror227 cited
  • 1950Families Under Stress: Adjustment to the Crises of War Separation and Reunion.224 cited
  • 1987Her Body, Himself: Gender in the Slasher Film218 cited
  • 2001Perverse spectators: the practices of film reception203 cited
  • 2005Film Genre: Hollywood and Beyond197 cited
  • 1983The Home Front and Beyond: American Women in the 1940s183 cited
  • 2000Perverse Spectators: The Practices of Film Reception179 cited

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