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Boulez, music and philosophy
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Boulez, music and philosophy (2011)Boulez, music and philosophyDragging Music: Towards a Queer Socio-Cultural Semiotics (2024)Dragging Music: Towards a Que…An Apprenticeship and Its Stocktakings: Leibowitz, Boulez, Messiaen, and the Discourse and Practice of New Music (2020)An Apprenticeship and Its Sto…After Debussy (2020)After DebussyTeasing the Ever-Expanding Sonnet from Pierre Boulez’s Musical Poetics (2019)Teasing the Ever-Expanding So…Middleground Structure in the Cadenza to Boulez’s Éclat (2019)Middleground Structure in the…The Work of Literary Translation (2018)The Work of Literary Translat…Between Freedom and Control (2017)Between Freedom and ControlTeoria i estetyka awangardy muzycznej drugiej połowy XX wieku (2016)Teoria i estetyka awangardy m…The Musical Language of Pierre Boulez (2013)The Musical Language of Pierr…PIERRE BOULEZ'S ‘SUR INCISES’: REFRACTION, CRYSTALLISATION AND THE ABSENT IDEA(L) (2013)PIERRE BOULEZ'S ‘SUR INCISES’…Music, Modernity, and God (2013)Music, Modernity, and GodEternity in Each Moment (2013)Eternity in Each MomentDisquieting Conversations: Bach, Modernity, and God (2013)Disquieting Conversations: Ba…Structuralists contra Serialists? Claude Lévi-Strauss and Pierre Boulez on Avant-Garde Music (2011)Structuralists contra Seriali…Antagonism and Mutual Dependency. Critial Models of Performance and “Piano Interpretation Schools” (2011)Antagonism and Mutual Depende…Cours de linguistique générale (1916)Morphology of the folktale (1958)Adorno, Theodor W. (2006)Boulez's Künstlerroman: Using blocs sonores to Overcome Anxieties and Influence in Le marteau sans maître (2018)Varese's 'Density 21.5': A Study in Semiological Analysis (1982)Music and Discourse: Toward a Semiology of Music (1991)Stocktakings from an apprenticeship (1992)Statistical Form amongst the D armstadt School (2014)Philosophical Investigations. (1954)Personal Knowledge: Towards a Post-Critical Philosophy (1959)Metaphors We Live By (2003)Transformational Techniques in Atonal and Other Music Theories (1982)Generalized Musical Intervals and Transformations (1988)A Thousand Plateaus: Capitalism and Schizophrenia (1989)5. The Practice of Everyday Life (2000)The Wretched of the Earth (2000)Rationalizing CultureIRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde (1995)Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde. (1997)The Cambridge Companion to John Cage (2002)Penser la musique aujourd'hui (1963)Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe (2002)Listen: A History of Our Ears (2008)Contingency, Irony, and Solidarity (1989)Tinjauan Historis Perkembangan Musik Gerejawi didalam Gereja-Gereja Independen (Free Churches) dan Implikasinya bagi Penatalayanan Musik Gerejawi di Masa Kini (1) (2014)TheoArtistry, and a Contemporary Perspective on Composing Sacred Choral Music (2017)Music and Spirituality (2024)Ideas: General Introduction to Pure Phenomenology. (1932)Writing and Difference (1980)Phenomenology of Perception (2013)Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color (1991)Reassembling the Social (2005)
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Cited by

  • 2013Music, Modernity, and God53 cited
  • 2018The Work of Literary Translation49 cited
  • 2020After Debussy40 cited
  • 2011Structuralists contra Serialists? Claude Lévi-Strauss and Pierre Boulez on Avant-Garde Music22 cited
  • 2019Teasing the Ever-Expanding Sonnet from Pierre Boulez’s Musical Poetics19 cited
  • 2013Disquieting Conversations: Bach, Modernity, and God17 cited
  • 2013The Musical Language of Pierre Boulez10 cited
  • 2017Between Freedom and Control6 cited
  • 2024Dragging Music: Towards a Queer Socio-Cultural Semiotics4 cited
  • 2016Teoria i estetyka awangardy muzycznej drugiej połowy XX wieku4 cited
  • 2020An Apprenticeship and Its Stocktakings: Leibowitz, Boulez, Messiaen, and the Discourse and Practice of New Music4 cited
  • 2013Eternity in Each Moment3 cited
  • 2011Antagonism and Mutual Dependency. Critial Models of Performance and “Piano Interpretation Schools”3 cited
  • 2013PIERRE BOULEZ'S ‘SUR INCISES’: REFRACTION, CRYSTALLISATION AND THE ABSENT IDEA(L)3 cited
  • 2019Middleground Structure in the Cadenza to Boulez’s Éclat

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3 cited