SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Drama kings: players and publics in the re-creation of Peking opera, 1870-1937
0 references·16 citing·39 second hop
Drama kings: players and publics in the re-creation of Peking opera, 1870-1937 (2008)Drama kings: players and publics in the r…Between Concealment and Revelation (2022)Between Concealment and Revel…The Postcolonial Blind Spot: (2018)The Postcolonial Blind Spot:Early Film Culture in Hong Kong, Taiwan, and Republican China (2017)Early Film Culture in Hong Ko…The Lure of Sadness: The Fever of Yueju and The Butterfly Lovers in the Early PRC (2016)The Lure of Sadness: The Feve…The Trouble with Theater: Cinema and the Geopolitics of Medium Specificity (2015)The Trouble with Theater: Cin…Should Nandan Be Abolished?: The Debate over Female Impersonation in Early Republican China and Its Underlying Cultural Logic (2013)Should Nandan Be Abolished?: …Gender, Tradition, and Culture in Translation: Reading the Onnagata in English (2012)Gender, Tradition, and Cultur…Gender and sexuality in modern Chinese history (2012)Gender and sexuality in moder…“Brand China” on the World Stage: Jingju, the Olympics, and Globalization (2012)“Brand China” on the World St…The Public Face of Chinatown: Actresses, Actors, Playwrights, and Audiences of Chinatown Theaters in San Francisco during the 1920s (2011)The Public Face of Chinatown:…The Politics of Remediation: Mise-en-scene and the Subjunctive Body in Chinese Opera Film (2010)The Politics of Remediation: …Speaking of Flowers: Theatre, Public Culture, and Homoerotic Writing in Nineteenth-Century Beijing (2010)Speaking of Flowers: Theatre,…Chinese Operas on Stage and Screen: A Short Introduction (2010)Chinese Operas on Stage and S…Women playing men: Yue opera and social change in twentieth-century Shanghai (2009)Women playing men: Yue opera …Rethinking ‘style’ for historians and philosophers of science: converging lessons from sexuality, translation, and East Asian studies (2009)Rethinking ‘style’ for histor…Tradition, Change, and Continuity in Chinese Theatre in the Last Hundred Years: In Commemoration of the Spoken Drama Centenary (2008)Tradition, Change, and Contin…What is cinema (1967)The World Viewed: Reflections on the Ontology of Film. (1974)The Virtual Life of Film (2007)Powers of the Real: Cinema, Gender, and Emotion in Interwar Japan (2019)Film Form: Essays in Film Theory (1949)Rhythmanalysis : Space, Time and Everyday Life (2004)Takarazuka: Sexual Politics and Popular Culture in Modern Japan (1999)A Kabuki reader: history and performance (2002)The Changing Room (2002)Chinese cinema: culture and politics since 1949 (1989)China on screen: cinema and nation (2006)Acting the Right Part (2017)Lychees and Mirrors: Local Opera, Cinema, and Diaspora in the Chinese Cultural Cold War (2018)Between tradition and modernity: developments in Xiqu (Chinese opera) actor training (2022)Virtual Reality Technology for the Digital Dissemination of Traditional Chinese Opera Culture (2024)Heavenly Bodies: Film Stars and Society (1987)Heavenly bodies: Film stars and society (1988)For More than One Voice (2005)Chinese Opera in Turn-of-the Century Canada: Local History and Transnational Circulation (2014)Transnationalism and everyday practice: Cantonese opera theatres of North America in the 1920s (2016)Queer Types for Early Asian American Literature (2024)Statistical yearbook of China (1985)Chinese Theories of Theater and Performance from Confucius to the Present (1999)Staging the world: Chinese nationalism at the turn of the twentieth century (2002)“Originated in China”: Western opera and international practices in the Beijing National Centre for the Performing Arts (2017)The Structure of Scientific Revolutions (1963)Archaeology of Knowledge (1970)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)The Field of Cultural Production: Essays on Art and Literature (1996)Nietzsche, Genealogy, History (2019)‘Jianghu flow’: examining cultural resonance in The Rap of China (2020)The History of Sexuality, Volume 1: An Introduction. (1979)Seeing like a State: How Certain Schemes to Improve the Human Condition Have Failed (1998)Bodies That Matter (2011)The sluttified sex: Verbal misogyny reflects and reinforces gender order in wireless China (2018)Qualified to be deviant: stigma-management strategies among Chinese leftover women (2021)Queering/Querying Cosmopolitanism: Queer Spaces in Shanghai (2011)Trans-in-Asia, Asia-in-Trans (2018)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2012Gender and sexuality in modern Chinese history47 cited
  • 2009Women playing men: Yue opera and social change in twentieth-century Shanghai40 cited
  • 2015The Trouble with Theater: Cinema and the Geopolitics of Medium Specificity25 cited
  • 2017Early Film Culture in Hong Kong, Taiwan, and Republican China24 cited
  • 2010Chinese Operas on Stage and Screen: A Short Introduction18 cited
  • 2012Gender, Tradition, and Culture in Translation: Reading the Onnagata in English16 cited
  • 2008Tradition, Change, and Continuity in Chinese Theatre in the Last Hundred Years: In Commemoration of the Spoken Drama Centenary10 cited
  • 2009Rethinking ‘style’ for historians and philosophers of science: converging lessons from sexuality, translation, and East Asian studies10 cited
  • 2011The Public Face of Chinatown: Actresses, Actors, Playwrights, and Audiences of Chinatown Theaters in San Francisco during the 1920s9 cited
  • 2010The Politics of Remediation: Mise-en-scene and the Subjunctive Body in Chinese Opera Film9 cited
  • 2013Should Nandan Be Abolished?: The Debate over Female Impersonation in Early Republican China and Its Underlying Cultural Logic7 cited
  • 2010Speaking of Flowers: Theatre, Public Culture, and Homoerotic Writing in Nineteenth-Century Beijing7 cited
  • 2018The Postcolonial Blind Spot:

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

7 cited
  • 2012“Brand China” on the World Stage: Jingju, the Olympics, and Globalization6 cited
  • 2016The Lure of Sadness: The Fever of Yueju and The Butterfly Lovers in the Early PRC6 cited
  • 2022Between Concealment and Revelation1 cited