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Cited by

• 2012Vocal performance in the seventeenth century56 cited
• 2012The Cambridge History of Musical Performance46 cited
• 2018“Attractor Tempi” in Brahms’s Symphony No. 2/III18 cited
• 2013Modulation and expression in the lyric ode, 1660–175017 cited
• 1998Composing, performing and audience-listening as symmetrical indicators of musical understanding14 cited
• 2012The performer and the composer10 cited
• 2012Instrumental performance in the nineteenth century6 cited
• 2012Vocal performance in the nineteenth century6 cited
• 2012Performance in the ‘long eighteenth century’: an overview5 cited
• 2012Instrumental performance in the twentieth century and beyond5 cited
• 2012Vocal performance in the Renaissance3 cited
• 2012The teaching of performance2 cited