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Meyerhold on Theatre
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Cited by

  • 2007The stagecraft and performance of Roman comedy100 cited
  • 1987Effector patterns of basic emotions: a psychophysiological method for training actors75 cited
  • 1981The prodigal son'sRussian roots: Avant‐garde and icons43 cited
  • 2007An Enactive Approach to Understanding Acting41 cited
  • 2009Movement training for the modern actor39 cited
  • 2017The Vilner Trupe, 1916–30: A Transformation of Shund Theater—For the Sake of National Politics or High Art?33 cited
  • 1999From Text to Performance: The Rise of Theatre Studies as an Academic Discipline in Germany21 cited
  • 1997Reading a staging/Staging a reading19 cited
  • 2013The Routledge Companion to Stanislavsky18 cited
  • 2002Appropriating Pierre Bourdieu'schampandhabitusfor a sociology of stage productions15 cited
  • 2014The Cambridge introduction to theatre directing12 cited
  • 2016Actor training and emotions: Finding a balance8 cited
  • 1999Meyerhold Meets Mei Lanfang: Staging the Grotesque and the Beautiful7 cited
  • 2013Stravinsky's piano: genesis of a musical language4 cited
  • 1980Staging ‘The Master’s’ Works: Wagner, Appia, and Theatrical Abuse

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3 cited