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Psychoanalytic Film Theory
16 references·8 citing·30 second hop
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this work references cited by second hop

References

  • 2020Dialectic of Enlightenment5,765 cited
  • 1990The sublime object of ideology5,690 cited
  • 1978The Reproduction of Mothering4,431 cited
  • 1922Group psychology and the analysis of the ego.3,359 cited
  • 1951Minima Moralia: Reflections from Damaged Life2,655 cited
  • 1989Visual and Other Pleasures2,397 cited
  • 1992Looking awry: an introduction to Jacques Lacan through popular culture1,576 cited
  • 1986Narration in the Fiction Film1,483 cited
  • 1992Men, women, and chain saws: gender in the modern horror film1,065 cited
  • 1993Male Subjectivity at the Margins1,010 cited
  • 1989The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema902 cited
  • 1994Read my desire : Lacan against the historicists795 cited
  • 1996Engaging characters: fiction, emotion, and the cinema766 cited
  • 1947The Mass Psychology of Fascism764 cited
  • 1982Psychoanalysis and Cinema749 cited
  • 1987The Desire to Desire636 cited

Cited by

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2019
Empathy and Sympathy: Two Contemporary Models of Character Engagement
38 cited
  • 2004Horror Film and Psychoanalysis35 cited
  • 2004Doing Things with Theory: From Freud's Worst Nightmare to (Disciplinary) Dreams of Horror's Cultural Value16 cited
  • 2004Foreword: “What Lies Beneath?”12 cited
  • 2004Explaining the Uncanny in The Double Life of Véronique9 cited
  • 2004Afterword: Psychoanalysis and the Horror Film9 cited
  • 2004Violence and Psychophysiology in Horror Cinema8 cited
  • 2018Highlighting Racial Demonization in 3D Animated Films and Its Implications: A Semiotic Analysis of Frankenweenie7 cited