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Sentential Lyric-Types in the Great American Songbook
7 references·8 citing·26 second hop
Sentential Lyric-Types in the Great American Songbook (2013)Sentential Lyric-Types in the Great Ameri…In the Process of Becoming: Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music (2013)In the Process of Becoming: A…The Structure, Function, and Genesis of the Prechorus (2011)The Structure, Function, and …Form and Voice Leading in Early Beatles Songs (2011)Form and Voice Leading in Ear…Songs in Motion (2010)Songs in MotionThe Foundations of Rock (2008)The Foundations of RockClassical Form (1998)Classical FormClassical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical form : a theory of …Lyricist as Analyst: Rhyme Scheme as Music-Setting in the Great American Songbook (2023)Lyricist as Analyst: Rhyme Sc…Schubert’s Large-Scale Sentences (2021)Schubert’s Large-Scale Senten…Norms of Textual Scansion and Rhyme in Beatles AABA Forms (2021)Norms of Textual Scansion and…Lyric Forms as “Performed” Speech in Das Rheingold and Die Walküre (2021)Lyric Forms as “Performed” Sp…Schoenberg’s Sentence (2018)Schoenberg’s SentenceSchubert’s Idyllic Periods (2017)Schubert’s Idyllic PeriodsText and Temporality (2016)Text and TemporalitySentences with Words: Text and Theme-Type in Die schone Mullerin (2014)Sentences with Words: Text an…Triadic Modal and Pentatonic Patterns in Rock Music (2010)Hipster Harmony (2015)Play with Closing Markers: Cadential Multivalence in 1960s Prechoruses and Related Schemas (2019)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of Sonata Theory (2006)In Search of Romantic Form (2013)The Half Cadence and Other Such Slippery Events (2014)Enacting Musical Time (2019)Towards a Reconciliation of Schenkerian Concepts with Traditional and Recent Theories of Form (1991)Complex Hemiolas, Ski‐Hill Graphs and Metric Spaces (2001)Beyond the Beethoven Model: Sentence Types and Limits (2004)Fundamentals of Musical Composition (1968)The Cambridge History of Western Music Theory (2002)Toward a Theory of Recapitulatory Tonal Alterations (2019)Romantic Periods (2021)Songs for Hands (2013)Measuring a Measure (2016)Teleology in Verse–Prechorus–Chorus Form, 1965–2020 (2022)Treading Robert Schumann’s New Path (2014)Prolongational Closure in the Lieder of Fanny Hensel (2020)The Cambridge Companion to Rhythm (2020)Liquidation and Its Origins (2019)Klangfarbenmelodie, Chromophony, and Timbral Function in Arnold Schoenberg’s “Farben” (2023)The Classical Cadence: Conceptions and Misconceptions (2004)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Towards a generative syntax of tonal harmony (2011)
this work references cited by second hop

References

  • 1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven698 cited
  • 1998Classical Form529 cited
  • 2013In the Process of Becoming: Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music69 cited
  • 2010Songs in Motion66 cited
  • 2008The Foundations of Rock43 cited
  • 2011The Structure, Function, and Genesis of the Prechorus42 cited
  • 2011Form and Voice Leading in Early Beatles Songs19 cited

Cited by

  • 2014Sentences with Words: Text and Theme-Type in Die schone Mullerin13 cited
  • 2018Schoenberg’s Sentence8 cited
  • 2017Schubert’s Idyllic Periods5 cited
  • 2021Lyric Forms as “Performed” Speech in Das Rheingold and Die Walküre4 cited
  • 2016Text and Temporality4 cited
  • 2021Schubert’s Large-Scale Sentences3 cited
  • 2021Norms of Textual Scansion and Rhyme in Beatles AABA Forms3 cited
  • 2023Lyricist as Analyst: Rhyme Scheme as Music-Setting in the Great American Songbook2 cited

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