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Devices of Wonder: From the World in a Box to Images on a Screen
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  • 2010The offence of theory261 cited
  • 2013Introduction129 cited
  • 2006The bone in the throat: some uncertain thoughts on baroque method108 cited
  • 2019The anthropology of traps: Concrete technologies and theoretical interfaces86 cited
  • 2006'A Demented Form of the Familiar': Postmodernism and Educational Research52 cited
  • 2020Others' Images: Online Social Media, Architectural Improvisations, and Spatial Marginalization in Bangladesh35 cited
  • 2012Becoming-(a)-Paper, or an Article Undone30 cited
  • 2012Early cinema’s touch(able) screens: From Uncle Josh to Ali Barbouyou24 cited
  • 2013New Ways of Looking and Learning in Natural History Museums: The Use of Gigapixel Imaging to Bring Science and Publics Together21 cited
  • 2016The Complex and Multifarious Expressions of Digital Art and Its Impact on Archives and Humanities19 cited
  • 2014Le XIXe siècle au prisme des visual studies18 cited
  • 2008Observations on the History and Uses of Animation Occasioned by the Exhibition Eyes, Lies and Illusions Selected from Works in the Werner Nekes Collection17 cited
  • 2009Portraying technology in gallery paintings14 cited
  • 2012Nomadism of colour: Painting, technology and waste in the chromo-zones of colonial India c.1765–c.1860

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14 cited
  • 2020Ovid on Screen13 cited
  • 2007Marking bodily differences: mechanized bodies in Hirabayashi Hatsunosuke's ‘Robot’ and early Showa robot literature12 cited