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Cited by

• 2018Beyond the Classical Cadence: Thematic Closure in Early Romantic Music66 cited
• 2017Thematic and Non-Thematic Textures in Schubert’s Three-Key Expositions44 cited
• 2022Brahms's ‘Musical Prose’ Reconsidered19 cited
• 2016In Search of Liberated Time, or Schubert's Quartet in G Major, D. 887: Once More Between Sonata and Variation18 cited
• 2016Musical Causality and Schubert’s Piano Sonata in A Major, D 959, First Movement17 cited
• 2016The first movement of Schubert's Piano Sonata D. 959 and the performance of analysis15 cited
• 2022Merging the Sonata and the Concerto: The Role of Virtuosic Passages in Determining Formal Closure in High-Classical Sonata Expositions14 cited
• 2018Form and Orbital Tonality in the Finale of Bruckner's Seventh Symphony10 cited
• 2020Rethinking Sonata Failure: Mendelssohn’s Overture Zum Märchen von der schönen Melusine6 cited
• 2021Formalising Star Clusters: Sonata Process and Breakthrough Function in the Adagio of Mahler's Tenth Symphony6 cited
• 2016Rethinking Schubert6 cited
• 2021Brahmsian Articulation5 cited
• 2016Records of Inspiration4 cited
• 2021Clara Wieck's A minor Piano Concerto: Formal Innovation and the Problem of Parametric Disconnect in Early Romantic Music