SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Two men and music : nationalism in the making of an Indian classical tradition
0 references·16 citing·54 second hopsampled
Two men and music : nationalism in the making of an Indian classical tradition (2005)Two men and music : nationalism in the ma…Listening to North Indian Classical Music: How Embodied Ways of Listening Perform Imagined Histories and Social Class (2017)Listening to North Indian Cla…Tellings and Texts (2015)Tellings and TextsNon-Western national music and empire in global history: interactions, uniformities, and comparisons (2015)Non-Western national music an…Tabla Tuning on the Workshop Stage: Toward a Materialist Musical Ethnography (2014)Tabla Tuning on the Workshop …In the Absence of Reliable Ghosts: Sexuality, Historiography, South Asia (2014)In the Absence of Reliable Gh…Between History and Historiography: The Origins of Classical Kuchipudi Dance (2013)Between History and Historiog…Pedagogy, Practice, and Embodied Creativity in Hindustani Music (2012)Pedagogy, Practice, and Embod…A History of Singing (2012)A History of SingingThat Ban(e) of Indian Music: Hearing Politics in The Harmonium (2011)That Ban(e) of Indian Music: …Religion and Conflict in Modern South Asia (2011)Religion and Conflict in Mode…Being ‘ rasikas ’: the affective pleasures of music and dance spectatorship and nationhood in Indian middle‐class modernity (2011)Being ‘ rasikas ’: the affect…Reviving the Golden Age Again:“Classicization,” Hindustani Music, and the Mughals (2010)Reviving the Golden Age Again…Composition, Authorship, and Ownership in Flamenco, Past and Present (2010)Composition, Authorship, and …North Indian Sufi Popular Music in the Age of Hindu and Muslim Fundamentalism (2008)North Indian Sufi Popular Mus…The Social Liminality of Musicians: Case Studies from Mughal India and Beyond (2007)The Social Liminality of Musi…Action, Criticism and Theory for Music Education (2004)Action, Criticism and Theory …The Collected Works of Mahatma Gandhi (1964)The selected works of Mahatma Gandhi (1970)Orientalism and the Postcolonial Predicament (1993)How the sheng became a harp (2020)Pandora's Hope: Essays on the Reality of Science Studies (2000)Reassembling the Social (2005)Vibrant Matter (2010)Ecology of the Global Tabla Industry (2015)Attending to the Nightingale: On a Multispecies Ethnomusicology (2020)Did Music Cause the End of the World? (2020)Mind in Society: The Development of Higher Psychological Processes (1978)Case Study Research: Design and Methods (1984)Self-Efficacy: The Exercise of Control (1999)`That's my piece, that's my signature, and it means more ...': creative identity and the ensemble teacher/ arranger (2009)The impact of music festival attendance on young people’s psychological and social well-being (2010)Developing musical and educational identities in university music students (2012)The Dialogic Imagination: Four Essays (1981)Disjuncture and Difference in the Global Cultural Economy (1990)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1994)Modernizing Composition: Sinhala Song, Poetry, and Politics in Twentieth-Century Sri Lanka (2017)Property and Social Relations in Mughal India: Litigations and Disputes at the Qazi’s Court in Urban Localities, 17th-18th Centuries (2018)From solidarity to resistance: host communities’ evolving response to the Rohingya refugees in Bangladesh (2021)Cassette culture: popular music and technology in north India (1993)The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)Cassette Culture: Popular Music and Technology in North India (1995)The Cambridge Companion to the Singer-Songwriter (2016)How to Measure Intangible Cultural Heritage Value? The Case of Flamenco in Spain (2020)The Rosalía Polemic: Defining Genre Boundaries and Legitimacy in Flamenco (2021)The Domestication of the Savage Mind. (1979)Elementary Aspects of Peasant Insurgency in Colonial India (1984)Oral Tradition as History (1986)Phenomenological Approaches in the History of Ethnomusicology (2015)Temporalities of North Indian Classical Listening: How Listeners Use Music to Construct Time (2021)The Scholarly Ustad: Hindustani Music's Muslim Hereditary Professionals and Their Textual Traditions (2024)No Future: Queer Theory and the Death Drive (2004)Time Binds: Queer Temporalities, Queer Histories (2010)The Queer Art of Failure (2011)Voyages across Indenture (2016)The eunuch archive: Colonial records of non-normative gender and sexuality in India (2017)Everyday erotics in urban density: an ethnography of older lesbian and bisexual women in Hong Kong (2020)The Invention of Tradition (1986)Colonialism and its forms of knowledge: the British in India (1997)Castes of Mind: Colonialism and the Making of Modern India (2002)Nationalists, cosmopolitans, and popular music in Zimbabwe (2001)The Argumentative Indian: Writings on Indian History, Culture, and Identity (2006)Evergreens to Remixes: Hindi Film Songs and India’s Popular Music Heritage (2009)Who wants to be a cosmopolitan? (2010)Institutional Communalism in North Indian Classical Music (2012)Distinction. A Social Critique of the Judgement of Taste (1985)Handbook of Theory and Research for the Sociology of Education. (1987)The Archive and the Repertoire: Performing Cultural Memory in the Americas (2003)Class, Control, and Classical Music (2019)Ecologies of Resonance in Christian Musicking (2020)Music, Exchange, and the Production of Value: A Case Study of Hindustani Music (2020)
this work references cited by second hop· second hop is a sample of the most-cited connections

References

No references inside the corpus for this window.

Cited by

  • 2004Action, Criticism and Theory for Music Education101 cited
  • 2015Tellings and Texts97 cited
  • 2014In the Absence of Reliable Ghosts: Sexuality, Historiography, South Asia66 cited
  • 2010Reviving the Golden Age Again:“Classicization,” Hindustani Music, and the Mughals63 cited
  • 2011That Ban(e) of Indian Music: Hearing Politics in The Harmonium58 cited
  • 2010Composition, Authorship, and Ownership in Flamenco, Past and Present56 cited
  • 2017Listening to North Indian Classical Music: How Embodied Ways of Listening Perform Imagined Histories and Social Class55 cited
  • 2014Tabla Tuning on the Workshop Stage: Toward a Materialist Musical Ethnography48 cited
  • 2012Pedagogy, Practice, and Embodied Creativity in Hindustani Music46 cited
  • 2008North Indian Sufi Popular Music in the Age of Hindu and Muslim Fundamentalism46 cited
  • 2012A History of Singing33 cited
  • 2007The Social Liminality of Musicians: Case Studies from Mughal India and Beyond31 cited
  • 2011Being ‘ rasikas ’: the affective pleasures of music and dance spectatorship and nationhood in Indian middle‐class modernity29 cited
  • 2013Between History and Historiography: The Origins of Classical Kuchipudi Dance

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

29 cited
  • 2015Non-Western national music and empire in global history: interactions, uniformities, and comparisons27 cited
  • 2011Religion and Conflict in Modern South Asia27 cited