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“Chick Flicks” as Feminist Texts: The Appropriation of the Male Gaze inThelma & Louise
16 references·0 citing·24 second hop
“Chick Flicks” as Feminist Texts: The Appropriation of the Male Gaze inThelma & Louise (2000)“Chick Flicks” as Feminist Texts: The App…The Reproduction of Mothering (2023)The Reproduction of MotheringFantasies of Femininity: Reframing the Boundaries of Sex (1997)Fantasies of Femininity: Refr…CINEMA AND SPECTATORSHIP (1993)CINEMA AND SPECTATORSHIPYou just don't understand: Women and men in conversation (1992)You just don't understand: Wo…You just don't understand : women and men in conversation (1992)You just don't understand : w…Interpreting Films (1992)Interpreting FilmsThe Female Gaze: Women As Viewers of Popular Culture (1991)The Female Gaze: Women As Vie…ACQUAINTANCE RAPE THE HIDDEN CRIME (1991)ACQUAINTANCE RAPE THE HIDDEN …Visual and Other Pleasures (1989)Visual and Other PleasuresFear of Rape among Urban Women (1985)Fear of Rape among Urban WomenWOMEN AND FILM (1983)WOMEN AND FILMThe Imaginary Signifier: Psychoanalysis and the Cinema (1983)The Imaginary Signifier: Psyc…Psychoanalysis and Cinema (1982)Psychoanalysis and CinemaCultural myths and supports for rape. (1980)Cultural myths and supports f…The Reproduction of Mothering (1978)The Reproduction of MotheringVisual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…The mobile connection: the cell phone's impact on society (2004)The gender similarities hypothesis. (2005)Postfeminist media culture (2007)Critical Theory, Poststructuralism, Postmodernism: Their Sociological Relevance (1991)Reading Humanitarian Intervention (2003)Transformations: Thinking Through Feminism (2005)Mechanisms of emotional involvement with drama (1995)The 'Bollywoodization' of the Indian cinema: cultural nationalism in a global arena (2003)An Introductory Dictionary of Lacanian Psychoanalysis (2006)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)Understanding Popular Culture (2006)8. Preparing for Culturally Responsive Teaching (2002)Motion picture impacts on destination images (2003)Learning from the Outsider Within: The Sociological Significance of Black Feminist Thought (1986)Compulsory Heterosexuality and Lesbian Existence (1980) (2003)Intersectionality as buzzword (2008)Women, men, work, and family: An expansionist theory. (2001)Rape Myths (1994)The Other “Authoritarian Personality” (1998)Rape Myth Acceptance: Exploration of Its Structure and Its Measurement Using theIllinois Rape Myth Acceptance Scale (1999)Distance, Surface, Elsewhere: A Feminist Critique of the Space of Phallocentric Self/Knowledge (1995)Film Distribution as Media: Mapping Difference in the Bolivian Cinemascape (1996)Some Like It Bad: Testing a Model for Perceiving and Experiencing Fictional Characters (2005)
this work references cited by second hop

References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 1978The Reproduction of Mothering4,431 cited
  • 1980Cultural myths and supports for rape.3,307 cited
  • 1992You just don't understand : women and men in conversation2,589 cited
  • 1989Visual and Other Pleasures2,397 cited
  • 1992You just don't understand: Women and men in conversation2,253 cited
  • 2023The Reproduction of Mothering1,864 cited
  • 1983The Imaginary Signifier: Psychoanalysis and the Cinema838 cited
  • 1982Psychoanalysis and Cinema749 cited
  • 1993CINEMA AND SPECTATORSHIP532 cited
  • 1991ACQUAINTANCE RAPE THE HIDDEN CRIME394 cited
  • 1985Fear of Rape among Urban Women388 cited
  • 1983WOMEN AND FILM354 cited
  • 1992Interpreting Films340 cited
  • 1991The Female Gaze: Women As Viewers of Popular Culture312 cited
  • 1997Fantasies of Femininity: Reframing the Boundaries of Sex279 cited

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