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Pigment identification of an illuminated mediaeval manuscript De Civitate Dei by means of a portable Raman equipment
16 references·10 citing·34 second hop
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this work references cited by second hop

References

  • 1956The materials and techniques of medieval painting252 cited
  • 2002Pigment identification by spectroscopic means: an arts/science interface183 cited
  • 1992Non-destructive pigment analysis of artefacts by Raman microscopy164 cited
  • 2007Comparative study of mobile Raman instrumentation for art analysis148 cited
  • 2004Non-Destructive Microanalysis of Cultural Heritage Materials138 cited
  • 2013Characterisation of a portable Raman spectrometer for in situ analysis of art objects125 cited
  • 1995Identification by Raman microscopy and visible reflectance spectroscopy of pigments on an Icelandic manuscript118 cited
  • 2003The Palaeography of Gothic Manuscript Books: From the Twelfth to the Early Sixteenth Century116 cited
  • 1997Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts109 cited
  • 1999Investigation of pigments in medieval manuscripts by micro raman spectroscopy and total reflection X-ray fluorescence spectrometry101 cited
  • 2010Raman microscopy and x-ray fluorescence analysis of pigments on medieval and Renaissance Italian manuscript cuttings99 cited
  • 2008Pigment analysis by Raman microscopy of the non‐figurative illumination in 16th‐ to 18th‐century Islamic manuscripts97 cited
  • 2004A new instrument adapted to in situ Raman analysis of objects of art95 cited

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2012
First analytical evidences of precious colourants on Mediterranean illuminated manuscripts
79 cited
  • 2012Application of spectroscopic techniques to the study of illuminated manuscripts: A survey75 cited
  • 1999Pigment investigation of a late-medieval manuscript with total reflection X-ray fluorescence and micro-Raman spectroscopy73 cited
  • Cited by

    • 2017The first use of portable Raman instrumentation for the in situ study of prehistoric rock paintings in Patagonian sites35 cited
    • 2018Non-invasive analysis of a 15th century illuminated manuscript fragment: point-based vs imaging spectroscopy33 cited
    • 2014Applications of Raman spectroscopy in art and archaeology30 cited
    • 2016Raman Investigation of Precious Jewelry Collections Preserved in Paolo Orsi Regional Museum (Siracusa, Sicily) Using Portable Equipment26 cited
    • 2016In situ Raman mapping of art objects25 cited
    • 2019Unraveling the real pigment composition of tattoo inks: the case of bi-components phthalocyanine based greens22 cited
    • 2020Mid-wave Infrared Reflectography and Thermography for the Study of Ancient Books: A Review22 cited
    • 2016Singing with light: an interdisciplinary study on the medieval Ajuda Songbook21 cited
    • 2024A combined approach to the vibrational characterization of medieval paints on parchment: Handheld Raman spectroscopy and micro‐SORS13 cited
    • 2021Analytical study of Buddha sculptures in Jingyin temple of Taiyuan, China13 cited