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"Finding the Proper Sequence": Form and Narrative in the Collage Music of John Zorn
16 references·0 citing·24 second hop
"Finding the Proper Sequence": Form and Narrative in the Collage Music of John Zorn (2019)"Finding the Proper Sequence": Form and N…Music as Discourse (2008)Music as DiscourseON THE RELATION OF MUSICAL TOPOI TO FORMAL FUNCTION (2005)ON THE RELATION OF MUSICAL TO…The Oxford history of western music (2004)The Oxford history of western…Conventional Wisdom: The Content of Musical Form (2000)Conventional Wisdom: The Cont…Stravinsky: A Creative Spring: Russia and France, 1882-1934 (1999)Stravinsky: A Creative Spring…Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation (1996)Musical Meaning in Beethoven:…All made of tunes: Charles Ives and the uses of musical borrowing (1996)All made of tunes: Charles Iv…A Theory of Musical Semiotics (1994)A Theory of Musical SemioticsThe Scientific Image of Music Theory (1989)The Scientific Image of Music…Generalized Musical Intervals and Transformations (1988)Generalized Musical Intervals…Segmentation and Process in Post-Tonal Music (1981)Segmentation and Process in P…Classic Music: Expression, Form, and Style (1981)Classic Music: Expression, Fo…MOMENT FORM IN TWENTIETH CENTURY MUSIC (1978)MOMENT FORM IN TWENTIETH CENT…Fundamentals of Musical Composition (1968)Fundamentals of Musical Compo…The path to the new music (1963)The path to the new musicStyle and Idea (1950)Style and IdeaDefining the Term 'Absolute Music' Historically (2009)Musicking Bodies: Gesture and Voice in Hindustani Music (2012)Value Creation and Knowledge Loss: The Case of Cremonese Stringed Instruments (2012)Chopin's Fourth Ballade as Musical Narrative (2004)Metaphor and music (2008)The End(s) of Genre (2013)Theorizing Musical Meaning (2001)The Oxford Handbook of The American Musical (2011)Action and Agency Revisited (2013)Aspects of Well-Formed Scales (1989)Generalized Voice-Leading Spaces (2008)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)The Process of Janusian Thinking in Creativity (1971)Notes on improvisation and time in organizations (1999)The Onset of Language (2003)Cadential processes: The evaded cadence and the “one more time” technique (1992)Schoenberg's Musical Imagination (2007)The Classical Cadence: Conceptions and Misconceptions (2004)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Art music from 1800 to 1860 (1998)Popular song and popular music on stage and film (1998)The Cambridge History of American Music (1998)Sensible virtual selves: Bodies, instruments and the becoming-concrete of Music (2006)
this work references cited by second hop

References

  • 1981Classic Music: Expression, Form, and Style724 cited
  • 1988Generalized Musical Intervals and Transformations487 cited
  • 1968Fundamentals of Musical Composition457 cited
  • 1994A Theory of Musical Semiotics266 cited
  • 2000Conventional Wisdom: The Content of Musical Form250 cited
  • 1996Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation219 cited
  • 1950Style and Idea204 cited
  • 2004The Oxford history of western music197 cited
  • 1996All made of tunes: Charles Ives and the uses of musical borrowing131 cited
  • 1999Stravinsky: A Creative Spring: Russia and France, 1882-1934126 cited
  • 1981Segmentation and Process in Post-Tonal Music105 cited
  • 1978MOMENT FORM IN TWENTIETH CENTURY MUSIC97 cited
  • 2008Music as Discourse79 cited
  • 2005ON THE RELATION OF MUSICAL TOPOI TO FORMAL FUNCTION73 cited
  • 1963The path to the new music44 cited
  • 1989The Scientific Image of Music Theory41 cited

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