Sensible virtual selves: Bodies, instruments and the becoming-concrete of Music

William Echard

47 citations0/0 files storedContemporary Music Review

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Musicology and Musical Analysis Music Technology and Sound Studies Sound Studies and Aurality

Abstract

This article employs the concept of ‘virtuality,’ as developed by Gilles Deleuze, to offer a new analysis of the relationship between musicians and their instruments. Other topics touched upon include the ontology of the musical work and the nature of musical subjectivity in general.

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References

1994Difference and repetition 2002Parables for the Virtual 2002Parables for the virtual: movement, affect, sensation 1980A Thousand Plateaus 1994Thinking in Jazz 1995Thinking in jazz: the infinite art of improvisation 1980Improvisation: Its Nature And Practice In Music 2002Intensive Science and Virtual Philosophy

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