SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Sensible virtual selves: Bodies, instruments and the becoming-concrete of Music
16 references·11 citing·24 second hop
Sensible virtual selves: Bodies, instruments and the becoming-concrete of Music (2006)Sensible virtual selves: Bodies, instrume…Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)Interpreting musical gestures…The virtual (2002)The virtualParables for the virtual: movement, affect, sensation (2002)Parables for the virtual: mov…Parables for the Virtual (2002)Parables for the VirtualIntensive Science and Virtual Philosophy (2002)Intensive Science and Virtual…The sonic self: musical subjectivity and signification (2001)The sonic self: musical subje…The sense of music: semiotic essays (2001)The sense of music: semiotic …Becomings : explorations in time, memory, and futures (1999)Becomings : explorations in t…Thinking in jazz: the infinite art of improvisation (1995)Thinking in jazz: the infinit…Thinking in Jazz (1994)Thinking in JazzDifference and repetition (1994)Difference and repetitionA Theory of Musical Semiotics (1994)A Theory of Musical SemioticsFree Play: Improvisation in Life and Art (1990)Free Play: Improvisation in L…Improvisation: Its Nature And Practice In Music (1980)Improvisation: Its Nature And…A Thousand Plateaus (1980)A Thousand PlateausWays of the Hand: The Organization of Improvised Conduct. (1978)Ways of the Hand: The Organiz…Witnessing Race in the New Digital Cinema (2019)Witnessing Race in the New Di…Vaporwave is Dead, Long Live Vaporwave! (2019)Vaporwave is Dead, Long Live …Toward a History of Digital Music: New Technologies, Business Practices and Intellectual Property Regimes (2019)Toward a History of Digital M…The Political Economy of Streaming (2019)The Political Economy of Stre…Technologies of the Musical Selfie (2019)Technologies of the Musical S…On Serving as an Expert Witness in the ‘Blurred Lines’ Case (2019)On Serving as an Expert Witne…Digital Technology and Cultural Practice (2019)Digital Technology and Cultur…Digital Inequalities and Global Sounds (2019)Digital Inequalities and Glob…From Mahler to the Movies: Physical Empathy in Orchestral Leadership (2014)From Mahler to the Movies: Ph…Virtual Worlds (2013)Virtual WorldsNaked Intimacy: Eroticism, Improvisation, and Gender (2008)Naked Intimacy: Eroticism, Im…Democracy of Objects (2011)Researching without representation? Language and materiality in post-qualitative methodology (2013)What is co-creation? An interactional creation framework and its implications for value creation (2017)Improvised Music after 1950: Afrological and Eurological Perspectives (1996)Organizational Improvisation and Organizational Memory (1998)The Convergence of Planning and Execution: Improvisation in New Product Development (1998)Speech Play and Verbal Art (2002)The mirror game as a paradigm for studying the dynamics of two people improvising motion together (2011)Liberatory Postmodernism and the Reenchantment of Consumption (1995)Human geography without scale (2005)Toward a Global Idea of Race (2010)Organizational Improvisation and Learning: A Field Study (2001)Improvising firms: bricolage, account giving and improvisational competencies in the founding process (2003)The End of Early Music (2007)Choreomusical Conversations: Facing a Double Challenge (2011)Action and Agency Revisited (2013)Discourse Analysis as Theory and Method (2002)Networks of outrage and hope: social movements in the internet age (2013)The algorithmic imaginary: exploring the ordinary affects of Facebook algorithms (2016)Intensities of feeling: towards a spatial politics of affect (2004)Emotions and Social Movements: Twenty Years of Theory and Research (2011)The Turn to Affect: A Critique (2011)Collective Feelings (2004)Affective atmospheres (2009)
this work references cited by second hop

References

  • 1994Difference and repetition6,721 cited
  • 2002Parables for the Virtual4,608 cited
  • 2002Parables for the virtual: movement, affect, sensation3,771 cited
  • 1980A Thousand Plateaus2,651 cited
  • 1994Thinking in Jazz1,018 cited
  • 1995Thinking in jazz: the infinite art of improvisation793 cited
  • 1980Improvisation: Its Nature And Practice In Music670 cited
  • 2002Intensive Science and Virtual Philosophy642 cited
  • 1990Free Play: Improvisation in Life and Art457 cited
  • 2005Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert426 cited
  • 1978Ways of the Hand: The Organization of Improvised Conduct.391 cited
  • 1999Becomings : explorations in time, memory, and futures374 cited
  • 1994A Theory of Musical Semiotics266 cited
  • 2001The sense of music: semiotic essays251 cited
  • 2002The virtual230 cited
  • 2001The sonic self: musical subjectivity and signification210 cited

Cited by

  • 2019

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Digital Technology and Cultural Practice
20 cited
  • 2008Naked Intimacy: Eroticism, Improvisation, and Gender17 cited
  • 2019The Political Economy of Streaming17 cited
  • 2019Witnessing Race in the New Digital Cinema16 cited
  • 2019On Serving as an Expert Witness in the ‘Blurred Lines’ Case15 cited
  • 2019Toward a History of Digital Music: New Technologies, Business Practices and Intellectual Property Regimes12 cited
  • 2019Vaporwave is Dead, Long Live Vaporwave!7 cited
  • 2019Digital Inequalities and Global Sounds4 cited
  • 2014From Mahler to the Movies: Physical Empathy in Orchestral Leadership4 cited
  • 2019Technologies of the Musical Selfie3 cited
  • 2013Virtual Worlds3 cited