Cyborg Theatre: Corporeal/Technological Intersections in Multimedia Performance

Jennifer Parker-Starbuck

49 citations0/0 files stored

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Theatre and Performance Studies Art, Technology, and Culture Arts and Performance Studies

Abstract

List of Illustrations Acknowledgements Preface: Remembering Introduction: Why Cyborg Theatre? Backspace: Historical/Theoretical Intersections Shifting the Balance: Abject Bodies Object of Control: Framing the Fragments Entering the View: Triangulating Subject Bodies Conclusion: Remembering Bodies, Becoming-Cyborg Bibliography Index

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 49 citations exist upstream.

Cited by

2018Deepfakes, Artificial Intelligence, and Some Kind of Dystopia: The New Faces of Online Post-Fact Performance 2020Shakespeare, Spectatorship and the Technologies of Performance 2016Digital Historiography and Performance 2017Beyond the cyborg: performance, attunement and autonomous computation 2019Algorithms and Interoperability between Drama and Artificial Intelligence 2018In the frame: the performative spectatorship of museum selfies 2020Shakespeare, Technicity, Theatre 2018Intermediating Immanence: On Ho Tzu Nyen’s Ten Thousand Tigers

Imported from OpenAlex (CC0) — nothing here is generated.