SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Cyborg Theatre: Corporeal/Technological Intersections in Multimedia Performance
0 references·16 citing·49 second hop
Cyborg Theatre: Corporeal/Technological Intersections in Multimedia Performance (2011)Cyborg Theatre: Corporeal/Technological I…Shakespeare, Technicity, Theatre (2020)Shakespeare, Technicity, Thea…Shakespeare, Spectatorship and the Technologies of Performance (2020)Shakespeare, Spectatorship an…Acting Objects: Staging New Materialism, Posthumanism and the Ecocritical Crisis in Contemporary Performance (2020)Acting Objects: Staging New M…Algorithms and Interoperability between Drama and Artificial Intelligence (2019)Algorithms and Interoperabili…Representing Robots : The Appearance of Artificial Humans in Cinematic Media (2018)Representing Robots : The App…Intermediating Immanence: On Ho Tzu Nyen’s Ten Thousand Tigers (2018)Intermediating Immanence: On …In the frame: the performative spectatorship of museum selfies (2018)In the frame: the performativ…Deepfakes, Artificial Intelligence, and Some Kind of Dystopia: The New Faces of Online Post-Fact Performance (2018)Deepfakes, Artificial Intelli…Social Media as Theatre Stage: Aesthetics, Affordances and Interactivities (2017)Social Media as Theatre Stage…Puppetry as reinforcement or rupture of cultural perceptions of the disabled body (2017)Puppetry as reinforcement or …Beyond the cyborg: performance, attunement and autonomous computation (2017)Beyond the cyborg: performanc…Joints and Strings: On the Anatomy of the Performing Body (2016)Joints and Strings: On the An…Introduction: The Japanese Robot and Performance (2016)Introduction: The Japanese Ro…Digital Historiography and Performance (2016)Digital Historiography and Pe…‘Thinking Something Makes It So’: Performing Robots, the Workings of Mimesis and the Importance of Character (2016)‘Thinking Something Makes It …Performing with robots: embodiment, context and vulnerability relations (2015)Performing with robots: embod…Technology and the Lifeworld (1990)Technology and the lifeworld: from garden to earth (1990)Robot ethics: the ethical and social implications of robotics (2012)Archive Fever: A Freudian Impression (1995)The Language of New Media (2002)The Archive and the Repertoire: Performing Cultural Memory in the Americas (2003)Theater as Data (2020)Viral Theatres’ Pandemic Playbook - Documenting German theatre during COVID-19 (2022)Phenomenology of Perception (1963)The Companion Species Manifesto : Dogs, People, and Significant Otherness (2003)The Influence of Experience and Deliberate Practice on the Development of Superior Expert Performance (2006)La rebelión de las máquinas. Arte, singularidad tecnológica y ciencia ficción (2019)Across Bodily and Disciplinary Borders (2020)The black box aesthetics: performative dynamics between artificial intelligence and human interactive staging (2023)The Social psychology of intergroup relations (1979)Identity : community, culture, difference (2003)The Disability Studies Reader (2013)Bodies speaking: Embodiment, illness and the poetic materiality of puppetry/object practice (2020)The symbiotic relationship between puppetry and disability: The emergence of a strong contemporary visual language (2020)Representation: Cultural representations and signifying practices. (1997)Routes: Travel and Translation In the Late Twentieth Century (1998)Routes: Travel and Translation in the Late Twentieth Century. (1998)Lonely or not? Masterpieces in the museum, then and now (2019)museu no Instagram (2020)Volatile Bodies (1994)Volatile Bodies: Toward a Corporeal Feminism (1995)Volatile bodies: toward a corporeal feminism (1995)Global Catastrophic Risks (2009)The spread of true and false news online (2018)Uncivil Agreement: How Politics Became Our Identity (2018)Mobilizing Organizational Performance through Robotic and Artificial Intelligence Awareness in Mediating Role of Supply Chain Agility (2019)Deepfakes, Misinformation, and Disinformation in the Era of Frontier AI, Generative AI, and Large AI Models (2023)Modeling AI Trust for 2050: perspectives from media and info-communication experts (2024)Conceptual Information Processing (1975)Thinking; Readings in Cognitive Science (1977)Hamlet on the holodeck: the future of narrative in cyberspace (1997)Studying and designing emotions in live interactions with the audience (2020)Radical Intangibles: Materializing the Ephemeral (2021)Understanding Media: The Extensions of Man (1964)Gender Trouble: Feminism and the Subversion of Identity (1991)How We Became Posthuman (1999)“The forms of things unknown”: Shakespeare and the Rise of the Live Broadcast (2017)Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016) (2019)Viral Shakespeare (2021)How To Do Things With Words (1975)Discipline and Punish: The Birth of the Prison. (1978)Meeting the Universe Halfway (2007)A Short History of Shakespeare in Performance (2021)Extended Reality Shakespeare (2024)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2018Deepfakes, Artificial Intelligence, and Some Kind of Dystopia: The New Faces of Online Post-Fact Performance147 cited
  • 2020Shakespeare, Spectatorship and the Technologies of Performance66 cited
  • 2016Digital Historiography and Performance24 cited
  • 2017Beyond the cyborg: performance, attunement and autonomous computation22 cited
  • 2019Algorithms and Interoperability between Drama and Artificial Intelligence15 cited
  • 2018In the frame: the performative spectatorship of museum selfies12 cited
  • 2020Shakespeare, Technicity, Theatre12 cited
  • 2018Intermediating Immanence: On Ho Tzu Nyen’s Ten Thousand Tigers11 cited
  • 2017Puppetry as reinforcement or rupture of cultural perceptions of the disabled body10 cited
  • 2015Performing with robots: embodiment, context and vulnerability relations8 cited
  • 2016‘Thinking Something Makes It So’: Performing Robots, the Workings of Mimesis and the Importance of Character7 cited
  • 2017Social Media as Theatre Stage: Aesthetics, Affordances and Interactivities6 cited
  • 2018Representing Robots : The Appearance of Artificial Humans in Cinematic Media6 cited
  • 2016Joints and Strings: On the Anatomy of the Performing Body

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

6 cited
  • 2020Acting Objects: Staging New Materialism, Posthumanism and the Ecocritical Crisis in Contemporary Performance6 cited
  • 2016Introduction: The Japanese Robot and Performance6 cited