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Theory of Film Practice
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Theory of Film Practice (1981)Theory of Film PracticeThe Role and Purpose of Film Narration (2017)The Role and Purpose of Film …Where are we?: camera movements and the problem of point of view (2016)Where are we?: camera movemen…Re‐Presentations of Space in Hollywood Movies: An Event‐Indexing Analysis (2014)Re‐Presentations of Space in …Event segmentation and seven types of narrative discontinuity in popular movies (2014)Event segmentation and seven …Before or beyond narrative? Towards a complex systems theory of contemporary films (2011)Before or beyond narrative? T…Hollywood Incoherent: Narration in Seventies Cinema (2010)Hollywood Incoherent: Narrati…The Essay Film: Problems, Definitions, Textual Commitments (2008)The Essay Film: Problems, Def…How It Feels to Be Run Over: Early Film Accidents (2008)How It Feels to Be Run Over: …MOVABLES, MOVIES, MOBILITY: Nineteenth‐century looking and reading (2007)MOVABLES, MOVIES, MOBILITY: N…CROWD CONTROL: EARLY CINEMA, SOUND, AND DIGITAL IMAGES (2001)CROWD CONTROL: EARLY CINEMA, …Beholding Art History: Vision, Place and Power (1995)Beholding Art History: Vision…Audio-vision: sound on screen (1994)Audio-vision: sound on screenPlay It Again, Sigmund: Psychoanalysis and the Classical Hollywood Text (1990)Play It Again, Sigmund: Psych…Television production techniques as communication (1985)Television production techniq…Influence of the medium on children's story apprehension. (1980)Influence of the medium on ch…Technology and ideology in the cinema (1977)Technology and ideology in th…Visual Pleasure and Narrative Cinema (1975)Unheard melodies: narrative film music (1988)Écrits: A Selection (2001)Casablanca and the Richness of Emotion (2008)Characters in Film and Other Media (2025)The Nationwide audience : structure and decoding (1980)Questions of Cinema (1981)Culture, Media, Language (1982)“It's been real”: Forms of television representation (1988)Where Is the "Audience?": Discerning the (Impossible) Subject (1989)Setting the Stage: Collective Selection in the Stylistic Context of Commercials (1993)Language and Cinema (1974)Rating the Importance of Structural Units of Prose Passages: A Problem of Metacognitive Development (1977)Specific impact of radio and television on children's story comprehension. (1983)Longitudinal Effects of Television on Children's Leisure-Time Reading A Test of Three Explanatory Models (1996)The Gutenberg Galaxy (1997)TV as storyteller: How exposure to television narratives impacts at‐risk preschoolers' story knowledge and narrative skills (2009)Movies and Methods (1978)The Postmodern Condition: A Report on Knowledge (1984)Representing reality: issues and concepts in documentary (1992)Postclassical Nonfiction: Narration in the Contemporary Documentary (2012)Feeling the Reel of the Real: Framing the Play of Critically Affective Organizational Research between Art and the Everyday (2017)Manifesto for filmmaking as organisational research (2018)Lectures on Conversation (1995)The Construction of Situation Models in Narrative Comprehension: An Event-Indexing Model (1995)Social Cognition, Joint Attention, and Communicative Competence from 9 to 15 Months of Age (1998)The Framing of Characters in Popular Movies (2015)The evolution of pace in popular movies (2016)Movies on Our Minds (2021)The Principles of Psychology (1891)Toward a taxonomy of given-new information (1981)Narration in the Fiction Film (1986)Phénoménologie de la perception (1976)The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (1989)Qualitative Research in Sociology (2004)Soundscapes: Toward a Sounded Anthropology (2010)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)Phenomenology of Perception (1963)Attachment, New York (Basic Books) 1969. (1969)Cinema I (1986)Introduction 1: The Long Take—Critical Approaches (2017)Screen Space Reconfigured (2020)Enacting the Worlds of Cinema (2022)Story and Discourse: Narrative Structure in Fiction and Film (1979)Narrative Discourse: An Essay in Method (1980)Narratology: introduction to the theory of narrative (1998)Digital Preservation of Cultural Heritage: Interactive Documentary of Malay Male Traditional Clothes (2021)Against Interpretation and Other Essays (1966)The Implied Reader: Patterns of Communication in Prose Fiction from Bunyan to Beckett (1975)Engaging characters: fiction, emotion, and the cinema (1996)Mind-Tricking Narratives: Between Classical and Art-Cinema Narration (2013)New Hollywood in the Rust Belt: Urban Decline and Downtown Renaissance in The King of Marvin Gardens and Rocky (2015)Transactions with the World: Ecocriticism and the Environmental Sensibility of New Hollywood (2016)
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  • 1994Audio-vision: sound on screen1,584 cited
  • 1980Influence of the medium on children's story apprehension.116 cited
  • 2008The Essay Film: Problems, Definitions, Textual Commitments112 cited
  • 2014Event segmentation and seven types of narrative discontinuity in popular movies59 cited
  • 2014Re‐Presentations of Space in Hollywood Movies: An Event‐Indexing Analysis49 cited
  • 2016Where are we?: camera movements and the problem of point of view46 cited
  • 1985Television production techniques as communication38 cited
  • 2017The Role and Purpose of Film Narration26 cited
  • 1990Play It Again, Sigmund: Psychoanalysis and the Classical Hollywood Text25 cited
  • 2010Hollywood Incoherent: Narration in Seventies Cinema23 cited
  • 2007MOVABLES, MOVIES, MOBILITY: Nineteenth‐century looking and reading16 cited
  • 2011Before or beyond narrative? Towards a complex systems theory of contemporary films15 cited
  • 1977Technology and ideology in the cinema15 cited
  • 2001CROWD CONTROL: EARLY CINEMA, SOUND, AND DIGITAL IMAGES13 cited
  • 2008How It Feels to Be Run Over: Early Film Accidents

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11 cited
  • 1995Beholding Art History: Vision, Place and Power11 cited