Wong Kar-Wai

Stephen Teo

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Cinema History and Criticism Cinema and Media Studies Ethics, Aesthetics, and Art

Abstract

Chapter One: Introduction Chapter Two: In Mainstream Gear Chapter Three: Wong's Heartbreak Tango Chapter Four: Space-Time Tango Chapter Five: Wong's Biographical Histories of Knights-errant Chapter Six: Pathos Angelical Chapter Seven: Wong's Buenos Aires Affair Chapter Eight: Betrayed by Maggie Cheung Chapter Nine: Minor Projects and Conclusion Bibliogrpahy Filmography

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2007Positioning auteur theory in Chinese cinemas studies: intratextuality, intertextuality and paratextuality in the films of Tsai Ming-liang 2007Queer cultural movements and local counterpublics of sexuality: a case of Seoul Queer Films and Videos Festival1 2017Unhappy Desires and Queer Postsocialist Futures Unhappy Desires and Queer Postsocialist Futures: Hong Kong and Buenos Aires in Wong Kar-wai’s Happy Together 2015Projections of Diasporic Sensibilities through Travel: Wong Kar Wai in/and My Blueberry Nights 2009Pitfalls of cross-cultural analysis: Chinesewenyifilm and melodrama 2018“I Didn’t Think We’d Be Like Them”; or, Wong Kar Wai, Hongkonger 2015The sensuous cinema of Wong Kar-wai: film poetics and the aesthetic of disturbance 2019‘The past is a foreign country’: exoticism and nostalgia in contemporary transnational cinema

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