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Wong Kar-Wai
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Wong Kar-Wai (2005)Wong Kar-Wai‘The past is a foreign country’: exoticism and nostalgia in contemporary transnational cinema (2019)‘The past is a foreign countr…“I Didn’t Think We’d Be Like Them”; or, Wong Kar Wai, Hongkonger (2018)“I Didn’t Think We’d Be Like …Unhappy Desires and Queer Postsocialist Futures Unhappy Desires and Queer Postsocialist Futures: Hong Kong and Buenos Aires in Wong Kar-wai’s Happy Together (2017)Unhappy Desires and Queer Pos…Wong Kar‐wai: The Optics of the Virtual (2015)Wong Kar‐wai: The Optics of t…The sensuous cinema of Wong Kar-wai: film poetics and the aesthetic of disturbance (2015)The sensuous cinema of Wong K…Projections of Diasporic Sensibilities through Travel: Wong Kar Wai in/and My Blueberry Nights (2015)Projections of Diasporic Sens…“Pity about the furniture”: Violence, Wong Kar‐wai Style (2015)“Pity about the furniture”: V…Pitfalls of cross-cultural analysis: Chinesewenyifilm and melodrama (2009)Pitfalls of cross-cultural an…Murakami Haruki in Greater China: Creative Responses and the Quest for Cosmopolitanism (2009)Murakami Haruki in Greater Ch…ROMANCE, INSULARITY AND REPRESENTATION Wong Kar-wai's In the Mood for Love and Hong Kong Cinema (2007)ROMANCE, INSULARITY AND REPRE…Queer cultural movements and local counterpublics of sexuality: a case of Seoul Queer Films and Videos Festival1 (2007)Queer cultural movements and …Positioning auteur theory in Chinese cinemas studies: intratextuality, intertextuality and paratextuality in the films of Tsai Ming-liang (2007)Positioning auteur theory in …The Anxiety of Influence: A Theory of Poetry (1974)Gérard Genette Paratexts (1997)Paratexts: Thresholds of Interpretation (1997)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Third-World Literature in the Era of Multinational Capitalism (1986)In Other Worlds: Essays in Cultural Politics. (1988)Wenyiand the branding of early Chinese film (2012)Intercultural Film: Fiction Film as Audio-Visual Documents of Interculturality (2017)(Hetero)Sexing Space: Lesbian Perceptions and Experiences of Everyday Spaces (1993)Publics and counterpublics (2003)Itaewon's suspense: masculinities, place-making and the US Armed Forces in a Seoul entertainment district (2014)Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy (2014)Cosmopolitan Patriots (1997)Cosmopolitics : thinking and feeling beyond the nation (1998)Recentering Globalization (2002)The Production of Space (1992)Cartographies of Diaspora: Contesting Identities (1996)Flexible Citizenship: The Cultural Logics of Transnationality (2001)Post-classical cinema: an international poetics of film narration (2010)Pilgrimage to a Memory Hole: Towards an Affective Study of Fan Tourism in Asia via Angkor Wat and Wong Kar-wai’s In the Mood for Love (2019)The trouble with normal: sex, politics, and the ethics of queer life (2000)Cruising utopia: the then and there of queer futurity (2010)The Promise of Happiness (2010)The Burden of History (1966)The Footnote: A Curious History (1998)Nostalgia of the New Wave: Structure in Wong Kar-wai's Happy Together (1999)Imaginary homelands: essays and criticism, 1981-1991 (1991)Family Frames: Photography, Narrative and Postmemory (1997)Modernity at Large: Cultural Dimensions of Globalization. (1998)Wong Kar-wai’s Happy Together (2003)A modern history of Hong Kong (2004)Desert islands and other texts, 1953-1974 (2004)
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Cited by

  • 2007Positioning auteur theory in Chinese cinemas studies: intratextuality, intertextuality and paratextuality in the films of Tsai Ming-liang31 cited
  • 2007Queer cultural movements and local counterpublics of sexuality: a case of Seoul Queer Films and Videos Festival125 cited
  • 2015Projections of Diasporic Sensibilities through Travel: Wong Kar Wai in/and My Blueberry Nights21 cited
  • 2017Unhappy Desires and Queer Postsocialist Futures Unhappy Desires and Queer Postsocialist Futures: Hong Kong and Buenos Aires in Wong Kar-wai’s Happy Together21 cited
  • 2009Pitfalls of cross-cultural analysis: Chinesewenyifilm and melodrama20 cited
  • 2018“I Didn’t Think We’d Be Like Them”; or, Wong Kar Wai, Hongkonger19 cited
  • 2015The sensuous cinema of Wong Kar-wai: film poetics and the aesthetic of disturbance16 cited
  • 2019‘The past is a foreign country’: exoticism and nostalgia in contemporary transnational cinema11 cited
  • 2009Murakami Haruki in Greater China: Creative Responses and the Quest for Cosmopolitanism11 cited
  • 2007ROMANCE, INSULARITY AND REPRESENTATION Wong Kar-wai's In the Mood for Love and Hong Kong Cinema9 cited
  • 2015“Pity about the furniture”: Violence, Wong Kar‐wai Style8 cited
  • 2015Wong Kar‐wai: The Optics of the Virtual8 cited

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