SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
I Feel Love: Disco and Its Discontents
4 references·6 citing·34 second hop
I Feel Love: Disco and Its Discontents (2008)I Feel Love: Disco and Its DiscontentsCivilization and Its Discontents (2018)Civilization and Its Disconte…In Defence of Disco (2017)In Defence of DiscoLove saves the day: a history of American dance music culture, 1970-1979 (2004)Love saves the day: a history…Archive Fever: A Freudian Impression (1995)Archive Fever: A Freudian Imp…808S AND HEARTBREAK (2023)808S AND HEARTBREAKThe Irony and the Ecstasy: The Queer Ageing of Pet Shop Boys and LCD Soundsystem in Electronic Dance Music (2019)The Irony and the Ecstasy: Th…Whose Refuge, This House? (2018)Whose Refuge, This House?Beats, flesh, and grain: sonic tactility and affect in electronic dance music (2015)Beats, flesh, and grain: soni…Techniques of black male re/dress: corporeal drag and kinesthetic politics in the rebirth of Waacking/Punkin’ (2014)Techniques of black male re/d…Engendering Phonographies: Sonic Technologies of Blackness (2014)Engendering Phonographies: So…Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color (1991)Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation--An Argument (2003)This bridge called my back : writings by radical women of color (2015)Mama's Baby, Papa's Maybe: An American Grammar Book (1987)Disidentifications: Queers Of Color And The Performance Of Politics (1999)In the Break: The Aesthetics of the Black Radical Tradition (2004)Hip Hop Battles and Facial Intertexts (2016)The Senses Considered as Perceptual Systems (1969)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Parables for the Virtual (2002)Feeling the vibe: sound, vibration, and affective attunement in electronic dance music scenes (2020)Musical feelings and affective politics (2020)Wireless Imaginations (2020)Desperately Seeking Difference (1987)Sexual Indifference and Lesbian Representation (1988)Fashion and the Homospectatorial Look (1992)Identity Achievement and Idol Worship among Teenagers in Hong Kong (2003)On emotions and salsa: some thoughts on dancing to rethink consumers (2010)Taking it in the ear: On musico-sexual synergies and the (queer) possibility that music is sex (2012)Gender Trouble: Feminism and the Subversion of Identity (1991)Urban outcasts: A comparative sociology of advanced marginality (2008)Cruising utopia: the then and there of queer futurity (2010)Turn On, Tune In, Drift Off (2022)Time Binds: Queer Temporalities, Queer Histories (2010)How We Became Posthuman (1999)Commitment and Social Organization: A Study of Commitment Mechanisms in Utopian Communities (1968)The Feminist Standpoint: Developing the Ground for a Specifically Feminist Historical Materialism (2005)The Staircase to Terrorism: A Psychological Exploration. (2005)Six Provocations for Big Data (2011)CRITICAL QUESTIONS FOR BIG DATA (2012)Sharing Versus Pseudo-Sharing in Web 2.0 (2014)Electronic Dance Music Culture and Religion: An Overview1 (2006)The Musicology of Record Production (2007)Lena Horne and Judy Garland: Divas, Desire, and Discipline in the Civil Rights Era (2014)
this work references cited by second hop

References

  • 2018Civilization and Its Discontents4,247 cited
  • 1995Archive Fever: A Freudian Impression3,449 cited
  • 2004Love saves the day: a history of American dance music culture, 1970-1979145 cited
  • 2017In Defence of Disco49 cited

Cited by

  • 2015Beats, flesh, and grain: sonic tactility and affect in electronic dance music96 cited
  • 2014Engendering Phonographies: Sonic Technologies of Blackness48 cited
  • 2014Techniques of black male re/dress: corporeal drag and kinesthetic politics in the rebirth of Waacking/Punkin’39 cited
  • 2018Whose Refuge, This House?25 cited
  • 2023808S AND HEARTBREAK9 cited
  • 2019The Irony and the Ecstasy: The Queer Ageing of Pet Shop Boys and LCD Soundsystem in Electronic Dance Music3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work