SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
World Music: A Very Short Introduction
0 references·16 citing·58 second hop
World Music: A Very Short Introduction (2020)World Music: A Very Short IntroductionThe Musical Gift (2018)The Musical GiftMusic-Dance (2017)Music-DanceNon-Western national music and empire in global history: interactions, uniformities, and comparisons (2015)Non-Western national music an…On world music as a concept in the history of music scholarship (2013)On world music as a concept i…Music and Islam (2012)Music and IslamMusic and globalization: critical encounters (2012)Music and globalization: crit…A History of Singing (2012)A History of SingingKey Factors in the Sustainability of Languages and Music: A Comparative Study (2011)Key Factors in the Sustainabi…Generalized Representations of Musical Time and Periodic Structures (2011)Generalized Representations o…Conceptualizing the management and consumption of live music in urban space (2011)Conceptualizing the managemen…Psychology for Musicians (2007)Psychology for MusiciansColonialidad y Poscolonialidad Musical en Colombia (2007)Colonialidad y Poscolonialida…INTRODUCTION Analysis, Categorization, and Theory of Musics of the World (2006)INTRODUCTION Analysis, Catego…Vernacular culture and the place of folk music (2005)Vernacular culture and the pl…Cross‐Cultural “Countries”: Covers, Conjuncture, and the Whiff of Nashville inMúsica Sertaneja(Brazilian Commercial Country Music) (2005)Cross‐Cultural “Countries”: C…Ethnomusicology and Music Education: Crossroads for knowing music, education, and culture (2003)Ethnomusicology and Music Edu…Time and the Other: How Anthropology Makes Its Object (1983)Provincializing Europe: Postcolonial Thought and Historical Difference (2001)The Location of Culture (2012)Indigenous rights, performativity and protest (2015)A History of African Popular Culture (2017)The Cambridge History of Music Criticism (2019)Image-Music-Text (1977)The Order of Things (2005)“We ARE our instrument!”: Forming a singer identity (2015)Singing our song: the affordances of singing in an intergenerational, multimodal literacy programme (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)Reimagine to Revitalise (2021)Music in the world of Islam: a socio-cultural study (1995)World Music (2002)Garland Encyclopedia of World Music (2009)The Future of Interfaith Dialogue (2018)Conceptualising and addressing mental disorders amongst Muslim communities: Approaches from the Islamic Golden Age (2020)Faith and fandom: young Indonesian Muslims negotiating K-pop and Islam (2021)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)Genre, Intertextuality, and Social Power (1992)The Black Atlantic: Modernity and Double Consciousness (1994)Cover Songs: Ambiguity, Multivalence, Polysemy (2008)“We Live Daily in Two Countries” (2011)Identity, Territory and Land Conflict in Brazil (2013)THE SYMBOLIC CONSTRUCTION OF COMMUNITY (1985)Modernity at Large: Cultural Dimensions of Globalization. (1998)‘Country life’? Rurality, folk music and ‘Show of Hands’ (2008)Haptic geographies: ethnography, haptic knowledges and sensuous dispositions (2009)– The Symbolic Construction of Community (2013)The ethical potential of sound in public space: Migrant pan flute music and its potential to create moments of conviviality in a ‘failed’ public square (2016)Atmospherics as a Marketing Tool (1974)Servicescapes: The Impact of Physical Surroundings on Customers and Employees (1992)The social rhythm of the rock music festival (2015)Small town centre attractiveness: evidence from Sweden (2016)Marketing, art and voices of dissent (2017)Welcome to the experience economy (2019)Sound Structure as Social Structure (1984)Thinking in Jazz (1994)Thinking in jazz: the infinite art of improvisation (1995)Clarifying the Terms “Multicultural,” “Multiethnic,” and “World Music Education” through a Review of Literature (2006)Negotiating individuality and collectivity in community music. A qualitative case study (2018)The Role of Nanyue Ritual Songs in Promoting Literacy and Cultural Education in Longhui County, Hunan, China (2023)The art of not being governed: an anarchist history of upland Southeast Asia (2010)Ontologies of acoustic endurance: rethinking wartime sound and listening (2018)The Four Fundamental Concepts of Psycho-Analysis (2018)Affective block and the musical racialisation of Romani sincerity (2020)Music and Spirituality (2024)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1994)Choreographing empathy: kinesthesia in performance (2011)Bewegungs-Beziehungen (2018)Climax as Orgasm: On Debussy’s ‘L’isle Joyeuse’ (2019)Hegemonic Masculinity: Rethinking the Concept (2020)Flow: the psychology of optimal experience (1990)Music in Everyday Life (2000)Towards a general model of skills involved in sight reading music (2008)Publication Manual of the American Psychological Association (2011)Rethinking Giftedness and Gifted Education (2011)Using musical agency as a lens: Researching music education from the angle of experience (2011)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2007Psychology for Musicians192 cited
  • 2012Music and globalization: critical encounters171 cited
  • 2017Music-Dance72 cited
  • 2018The Musical Gift69 cited
  • 2003Ethnomusicology and Music Education: Crossroads for knowing music, education, and culture63 cited
  • 2012Music and Islam57 cited
  • 2005Cross‐Cultural “Countries”: Covers, Conjuncture, and the Whiff of Nashville inMúsica Sertaneja(Brazilian Commercial Country Music)48 cited
  • 2011Conceptualizing the management and consumption of live music in urban space42 cited
  • 2005Vernacular culture and the place of folk music36 cited
  • 2012A History of Singing33 cited
  • 2011Generalized Representations of Musical Time and Periodic Structures32 cited
  • 2015Non-Western national music and empire in global history: interactions, uniformities, and comparisons27 cited
  • 2006INTRODUCTION Analysis, Categorization, and Theory of Musics of the World26 cited
  • 2007Colonialidad y Poscolonialidad Musical en Colombia26 cited
  • 2011Key Factors in the Sustainability of Languages and Music: A Comparative Study

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

23 cited
  • 2013On world music as a concept in the history of music scholarship22 cited