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Quotation Marks, the Gramophone Record, and the Language of the Outlaw
15 references·0 citing·27 second hop
Quotation Marks, the Gramophone Record, and the Language of the Outlaw (2009)Quotation Marks, the Gramophone Record, a…Shakespeare and Company (2017)Shakespeare and CompanyIreland and the Fiction of Improvement (2006)Ireland and the Fiction of Im…The Colors of Zion: Black, Jewish, and Irish Nationalisms At the Turn of the Century (2005)The Colors of Zion: Black, Je…The audible past (2003)The audible pastA century of recorded music: listening to musical history (2001)A century of recorded music: …Joyce, race, and empire (1995)Joyce, race, and empireNotes to Literature, Volume 1 (1991)Notes to Literature, Volume 1James Joyce, authorized reader (1991)James Joyce, authorized readerThe Form of the Phonograph Record (1990)The Form of the Phonograph Re…The Curves of the Needle (1990)The Curves of the NeedleFor the Record: Adorno on Music in the Age of Its Technological Reproducibility (1990)For the Record: Adorno on Mus…Discourse Networks, 1800/1900 (1990)Discourse Networks, 1800/1900Gramophone, Film, Typewriter (1987)Gramophone, Film, TypewriterJOYCE AND THE JEWS (1986)JOYCE AND THE JEWSThe Consciousness of Joyce (1977)The Consciousness of JoyceMusic and technoculture (2004)The End of Early Music (2007)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)James Joyce and the Problem of Psychoanalysis (2006)The Legacy of Vico in Modern Cultural History (2012)The Cambridge Introduction to Literature and Psychoanalysis (2014)A Cultural History of the Irish Novel, 1790–1829 (2011)Melodrama (2012)Unit Operations: An Approach to Videogame Criticism (2006)Always already new: media, history, and the data of culture (2007)Symmetrical archaeology: excerpts of a manifesto (2007)Listening through Reading: Musical Literacy and the Concert Audience (1992)Club cultures: music, media and subcultural capital (1996)The Listening Subject of Japanese Modernity and His Auditory Double: Citing, Sighting, and Siting the Modern Japanese Woman (2003)Voice and the Victorian Storyteller (2005)Walter Benjamin’s Dionysian Adventures on Google Earth (2008)Defining Phonography: An Experiment in Theory (1997)THE ICONIC INTERFACE AND THE VENEER OF SIMPLICITY:MP3 players and the reconfiguration of music collecting and reproduction practices in the digital age (2008)Notation Cultures: Towards an Ethnomusicology of Notation (2019)The Cambridge Introduction to James Joyce (2006)Virgin and Veteran Readings of Ulysses (2011)The Cambridge History of Modernism (2017)Beyond White and Other: Relationality and Narratives of Race in Feminist Discourse (1995)Changing the Terms : Translating in the Postcolonial Era (2001)Comparative Colonialisms: Joyce, Anand, and the Question of Engagement (2006)Reassembling Social Science Methods: The Challenge of Digital Devices (2013)Do social media platforms develop consumer panic buying during the fear of Covid-19 pandemic (2020)
this work references cited by second hop

References

  • 1990Discourse Networks, 1800/19001,249 cited
  • 1987Gramophone, Film, Typewriter1,176 cited
  • 1990The Form of the Phonograph Record151 cited
  • 1990For the Record: Adorno on Music in the Age of Its Technological Reproducibility144 cited
  • 2001A century of recorded music: listening to musical history144 cited
  • 1995Joyce, race, and empire117 cited
  • 1977The Consciousness of Joyce104 cited
  • 2006Ireland and the Fiction of Improvement103 cited
  • 1990The Curves of the Needle97 cited
  • 1991James Joyce, authorized reader81 cited
  • 1991Notes to Literature, Volume 175 cited
  • 2003The audible past68 cited
  • 2017Shakespeare and Company38 cited
  • 2005The Colors of Zion: Black, Jewish, and Irish Nationalisms At the Turn of the Century22 cited
  • 1986JOYCE AND THE JEWS16 cited

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