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Cited by

• 2010Music, Culture and Social Reform in the Age of Wagner148 cited
• 2003Virtuosity and the Musical Work136 cited
• 2019The Cambridge History of Music Criticism85 cited
• 2009Form, Program, and Metaphor in the Music of Berlioz83 cited
• 2013Choral fantasies: music, festivity, and nationhood in nineteenth-century Germany68 cited
• 2012The Cambridge Companion to Opera Studies67 cited
• 2009A place in the world66 cited
• 2017Staging Overcoming: Narratives of Disability and Meritocracy in Reality Singing Competitions66 cited
• 2008Poetry and the Romantic Musical Aesthetic65 cited
• 2012Music and 'Weltanschauung': Franz Brendel and the Claims of Universal History58 cited
• 2017Liszt and the Symphonic Poem56 cited
• 2009The Cambridge History of the Book in Britain56 cited
• 2006Edward Elgar, Modernist53 cited
• 2013Music, Modernity, and God53 cited
• 2019The Cambridge History of Sixteenth-Century Music52 cited
• 2006Swaying with Schumann: Subjectivity and Tradition in Wolfgang Rihm's 'Fremde Szenen' I-III and Related Scores