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Beneath sci-fi sound
12 references·2 citing·26 second hop
Beneath sci-fi sound (2012)Beneath sci-fi soundBeyond Dolby (Stereo): Cinema in the Digital Sound Age (2010)Beyond Dolby (Stereo): Cinema…Hearing the Movies: Music and Sound in Film History (2009)Hearing the Movies: Music and…Sound Design and Science Fiction (2007)Sound Design and Science Fict…American Independent Cinema (2006)American Independent CinemaAmerican Independent Cinema (2005)American Independent CinemaThe Dolby Era: Film Sound in Contemporary Hollywood (2004)The Dolby Era: Film Sound in …Off the Planet: Music, Sound and Science Fiction Cinema (2004)Off the Planet: Music, Sound …Overhearing film dialogue (2000)Overhearing film dialogueOverhearing Film Dialogue (2000)Overhearing Film DialogueThe voice in cinema (1999)The voice in cinemaScreening Space: The American Science Fiction Film (1987)Screening Space: The American…The Voice in the Cinema: The Articulation of Body and Space (1980)The Voice in the Cinema: The …Sound Design is the New Score (2019)Sound Design is the New ScoreTheorizing “Bad” Sound (2014)Theorizing “Bad” SoundDehumanization: An Integrative Review (2006)The Future is Now (2009)The seven beauties of science fiction (2009)Radio geopolitics: broadcasting, listening and the struggle for acoustic spaces (2008)What do we hear? The pluralism of sound design in Hollywood sound production (2013)Escape Velocity: American Science Fiction Film, 1950–1982 (2017)Image/Music/Voice: Song Dubbing in Hollywood Musicals (1995)Sound matters: Notes toward the analysis and design of sound in multimodal webtexts (2006)Film, Performance, and the Spaces Between: The Collaborative Works of Mara Mattuschka and Chris Haring (2018)Indie Culture: In Pursuit of the Authentic Autonomous Alternative (2009)‘I'm just a character in your film’: acting and performance from autism to Zissou (2011)Mainstreaming Innovation in Art Worlds: Cooperative links, conventions and amphibious artists (2016)Wes Anderson and the city spaces of indie cinema (2011)Genre, Authorship and Contemporary Women Filmmakers (2018)Film audiences as overhearers (2007)“You talking to me?” The viewer as a ratified listener to film discourse (2011)Language and Television Series (2018)60th Yearbook of the Literacy Research Association (2011)Seeing films through sound: Sound design, spatial audio, and accessibility for visually impaired audiences (2020)Intermedial Studies (2021)The Listening Subject of Japanese Modernity and His Auditory Double: Citing, Sighting, and Siting the Modern Japanese Woman (2003)Anthropology and Voice (2014)Scale Critique for the Anthropocene (2014)Constructing ‘nerdiness’: Characterisation in The Big Bang Theory (2012)Soundscapes: Toward a Sounded Anthropology (2010)The Effect of Affect: An Appraisal Theory Perspective on Emotional Engagement in Narrative Persuasion (2021)
this work references cited by second hop

References

  • 1987Screening Space: The American Science Fiction Film538 cited
  • 1980The Voice in the Cinema: The Articulation of Body and Space442 cited
  • 2000Overhearing Film Dialogue433 cited
  • 1999The voice in cinema246 cited
  • 2009Hearing the Movies: Music and Sound in Film History172 cited
  • 2000Overhearing film dialogue160 cited
  • 2005American Independent Cinema153 cited
  • 2007Sound Design and Science Fiction139 cited
  • 2010Beyond Dolby (Stereo): Cinema in the Digital Sound Age118 cited
  • 2006American Independent Cinema89 cited
  • 2004The Dolby Era: Film Sound in Contemporary Hollywood74 cited
  • 2004Off the Planet: Music, Sound and Science Fiction Cinema52 cited

Cited by

  • 2019Sound Design is the New Score61 cited
  • 2014Theorizing “Bad” Sound7 cited

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