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Brands as masks: public secrecy and the counterfeit in C ôte d ' I voire
16 references·7 citing·35 second hop
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References

  • 1950The Sociology of Georg Simmel4,520 cited
  • 1977The Tourist: A New Theory of the Leisure Class.3,817 cited
  • 2019On the Postcolony2,724 cited
  • 2006Global Shadows1,765 cited
  • 1965Structural Anthropology1,580 cited
  • 2002The economy of qualities1,356 cited
  • 1999Defacement1,076 cited
  • 2003Semiotics and the social analysis of material things923 cited
  • 2000The Modernity of Witchcraft: Politics and the Occult in Postcolonial Africa711 cited
  • 1994Modernity and Its Malcontents: Ritual and Power in Postcolonial Africa.538 cited
  • 1991Satisfaction Guaranteed: The Making of the American Mass Market.436 cited
  • 2012The Modernity Bluff288 cited
  • 1981How man makes God in West Africa: Yoruba attitudes towards the Orisa283 cited
  • 2001Salaula: the world of secondhand clothing and Zambia273 cited
  • 2011Making War in Côte d'Ivoire242 cited
  • 2010The Semiotics of Brand238 cited

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  • 2019

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Being hybrid: a conceptual update of consumer self and consumption due to online/offline hybridity
41 cited
  • 2014The matter of the unfetish37 cited
  • 2020Normative Violence in Domestic Service: A Study of Exploitation, Status, and Grievability33 cited
  • 2015Tropes of Branding in Forms of Life21 cited
  • 2020The Ugandan hip-hop image: the uses of activism and excess in fragile sites7 cited
  • 2021‘Just be Easy, Feel the Music’ – Branding in the Musical and Social Life of Kampala’s Hip-hop Scene6 cited
  • 2023« Il faut faire le malin sauvagement »4 cited