Bourriaud deploys the technical term of postproduction to refer to contemporary art practices that create artworks based on preexisting works. Surveying contemporary art in the 1990s and focusing on a select group of artists, Bourriaud evinces a culture of use that positions artworks as temporary loci in a network of elements. He concludes by arguing that it is the viewer’s task to bring these relations to light. 29 bibl. ref.
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