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Current of Music: Elements of a Radio Theory
0 references·16 citing·27 second hop
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Cited by

  • 2012Nazi Soundscapes101 cited
  • 2017Tape: Or, Rewinding the Phonographic Regime79 cited
  • 2013Auscultating Again: Rhetoric and Sound Studies51 cited
  • 2019The Cambridge Companion to Music in Digital Culture37 cited
  • 2019Rethinking Liveness in the Digital Age36 cited
  • 2019Digital Technology and Cultural Practice20 cited
  • 2019The Political Economy of Streaming17 cited
  • 2019Witnessing Race in the New Digital Cinema16 cited
  • 2010Another radio is possible: Thai community radio from the grass roots to the global16 cited
  • 2019On Serving as an Expert Witness in the ‘Blurred Lines’ Case15 cited
  • 2020Adorno and Jazz14 cited
  • 2015Radio14 cited
  • 2017Sound Studies and Music Education13 cited
  • 2012Introduction: radio fields12 cited
  • 2019Toward a History of Digital Music: New Technologies, Business Practices and Intellectual Property Regimes12 cited
  • 2019Vaporwave is Dead, Long Live Vaporwave!

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7 cited