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Cited by

• 1984Production, consumption and political function of seventeenth-century opera155 cited
• 1976Benedetto Varchi, the Accademia degli Infiammati, and the Origins of the Italian Academic Movement59 cited
• 1990Anti-Protestant Music for Sixteenth-Century Ferrara42 cited
• 1898The Text of the Homeric Hymns21 cited
• 2017The Earliest Blood Transfusions in 17th-Century in Italy (1667–1668)12 cited
• 1954European Vernacular Works in Latin Translation12 cited
• 1952The Bible in Persian Translation10 cited
• 2014‘All that Glisters’: Orpheus’s Failure as an Orator and the Academic Philosophy of theAccademia degli Invaghiti5 cited
• 1984Images of meditation, uncertainty and repentance in ancient art4 cited
• 1995The Two Oedipuses: Sophocles, Anguillara, and the Renaissance Treatment of Myth3 cited
• 2015Return to Tiraboschi: On Italian Literary Canon Formation and National Identity0 cited