Widening the Horizon: Exoticism in Post-War Popular Music

Philip Hayward

22 citations0/0 files storedCross Connect (Southern Cross University)

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Music History and Culture Musicology and Musical Analysis Diverse Musicological Studies

Abstract

The cocktail shift : aligning musical exotica / Philip Hayward -- Korla Pandit and musical Indianism / Tim Taylor -- Utopias of the tropics : the exotic music of Les Baxter and Yma Sumac / Rebecca Leydon -- Martin Denny and the development of musical exotica / Shuhei Hosokawa -- Tropical cool : the Arthur Lyman sound / Jon Fitzgerald and Philip Hayward -- Soy sauce music : Haruomi Hosono and Japanese self-orientalism / Shuhei Hosokawa -- Musical transport : Van Dyke Parks, Americana and the applied orientalism of Tokyo Rose / Jon Fitzgerald and Philip Hayward -- the Yanni phenomenon / Karl Neuenfeldt.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 22 citations exist upstream.

Cited by

2002BALINESE MUSIC, TOURISM AND GLOBALISATION: INVENTING TRADITIONS WITHIN AND ACROSS CULTURES 2011A Voice of Steel through the Iron Curtain: Pete Seeger’s Contributions to the Development of Steel Band in the United States 2013‘A new stereophonic sound spectacular’: Shibuya-kei as transnational soundscape 2009The Re(Public) of Salsa: Afro-Cuban Music in Fin-de-Siècle Dakar 2002Weird Vibrations: How the Theremin Gave Musical Voice to Hollywood's Extraterrestrial “Others”2004Looking Both Ways: Gi Songs and Musical Exoticism in Post-World War II Japan 2008IDENTITY POLITICS RECO(R)DED: VINYL HUNTERS AS EXOTES IN TIME; pp. 342–354 2013Global exoticism and modernity

Imported from OpenAlex (CC0) — nothing here is generated.