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Migrating music and good-enough cosmopolitanism
9 references·5 citing·39 second hop
Migrating music and good-enough cosmopolitanism (2011)Migrating music and good-enough cosmopoli…!Hip Hop, Revolución! Nationalizing Rap in Cuba (2017)!Hip Hop, Revolución! Nationa…Persian Rap: The Voice of Modern Iran's Youth (2008)Persian Rap: The Voice of Mod…Ideologies of Marginality in Brazilian Hip Hop (2008)Ideologies of Marginality in …Genre in Popular Music (2007)Genre in Popular Music“La Habana que no conoces”: Cuban rap and the social construction of urban space (2006)“La Habana que no conoces”: C…Listening to Istanbul: Imagining Place in Turkish Rap Music (2005)Listening to Istanbul: Imagin…Subversion and Countersubversion: Power, Control, and Meaning in the New Iranian Pop Music (2004)Subversion and Countersubvers…Samba in Wales: Making sense of adopted music (2001)Samba in Wales: Making sense …Glocalization: Time-Space and Homogeneity-Heterogeneity (1995)Glocalization: Time-Space and…Women’s voices in diaspora: hip hop, spoken word, Islam and web 2.0 (2019)Women’s voices in diaspora: h…Understanding Musicking on Social Media: Music Sharing, Sociality and Citizenship (2019)Understanding Musicking on So…Sounds like Iran: On popular music of Iran (2017)Sounds like Iran: On popular …“One Can Veil and Be a Singer!” (2017)“One Can Veil and Be a Singer…The Hip-Hop Resistance: Forging Unity in the Arab Diaspora (2014)The Hip-Hop Resistance: Forgi…The Invention of Tradition (1986)The consequences of modernity (1990)Is Globalization Civilizing, Destructive or Feeble? A Critique of Five Key Debates in the Social Science Literature (2001)Globalisation or ‘glocalisation’? Networks, territories and rescaling (2004)Toward a Global Idea of Race (2010)Distinction: A Social Critique of the Judgement of Taste* (2018)Emotion and Meaning in Music (1961)Death Without Weeping (1992)Musicking: the meanings of performing and listening (1999)Indonesians and Australians Playing Javanese Gamelan in Perth, Western Australia: Community and the Negotiation of Musical Identities (2009)The Accessibility of Music: Participation, Reception, and Contact (2012)Transcultural Latino: Negotiating Music Industry Expectations of Latin American Migrant Musicians in Australasia (2013)The Tourist Gaze: Leisure and Travel in Contemporary Societies (1990)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Questions of Cultural Identity (1997)Fascination, Musical Tourism, and the Loss of the Balkan Village (Notes on Bulgaria’s Koprivshtitsa Festival) (2015)Activist musicianship, sound, the ‘Other Campaign’ and the limits of public space in Mexico City (2016)Iran between two Revolutions (1982)Iran Between Two Revolutions (1982)Intimating Dissent: Popular Song, Poetry, and Politics in Pre-Revolutionary Iran (2013)More than meets the eye: videography and production of desire in semiocapitalism (2017)“Our Angel of Salvation”: Toward an Understanding of Iranian Cyberspace as an Alternative Sphere of Musical Sociality (2018)The Repeating Island (1996)Domination and the Arts of Resistance (2017)Beyond the street: the institutional life of rap (2020)Modernity at Large: Cultural Dimensions of Globalization. (1998)Rap music and the poetics of identity (2000)Theory and Method in Popular Music Analysis: Text and Meaning (2012)Tough guys, tough music or a cry for recognition? (2012)From the streets to the mainstream: popularization of Turkish rap music (2020)Friction: An Ethnography of Global Connection (2004)Politics of Piety: The Islamic Revival and the Feminist Subject (2005)The Ethical Soundscape: Cassette Sermons and Islamic Counterpublics (2006)The economy of live music in the digital age (2010)Control, curation and musical experience in streaming music services (2015)What Makes Popular Culture Popular? Product Features and Optimal Differentiation in Music (2017)“We Live Daily in Two Countries” (2011)Linguistic techniques of the self: The intertextual language of racial empowerment in politically conscious Brazilian hip hop (2011)City as mobility: a contribution of brazilian saraus to urban theory (2018)
this work references cited by second hop

References

  • 1995Glocalization: Time-Space and Homogeneity-Heterogeneity3,826 cited
  • 2007Genre in Popular Music262 cited
  • 2008Ideologies of Marginality in Brazilian Hip Hop133 cited
  • 2004Subversion and Countersubversion: Power, Control, and Meaning in the New Iranian Pop Music41 cited
  • 2006“La Habana que no conoces”: Cuban rap and the social construction of urban space25 cited
  • 2017!Hip Hop, Revolución! Nationalizing Rap in Cuba25 cited
  • 2001Samba in Wales: Making sense of adopted music19 cited
  • 2008Persian Rap: The Voice of Modern Iran's Youth12 cited
  • 2005Listening to Istanbul: Imagining Place in Turkish Rap Music11 cited

Cited by

  • 2017“One Can Veil and Be a Singer!”16 cited
  • 2017Sounds like Iran: On popular music of Iran7 cited
  • 2014The Hip-Hop Resistance: Forging Unity in the Arab Diaspora5 cited
  • 2019Women’s voices in diaspora: hip hop, spoken word, Islam and web 2.04 cited
  • 2019Understanding Musicking on Social Media: Music Sharing, Sociality and Citizenship4 cited

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