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The Film Experience : An Introduction
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The Film Experience : An Introduction (2004)The Film Experience : An IntroductionFrom car frenzy to car troubles: automobilites, highway driving and the road movie in experimental film (2021)From car frenzy to car troubl…SİNEMASAL MEKÂNLAR VE SİNEMASAL MEKÂNLARIN ÇÖZÜMLENMESİ (2019)SİNEMASAL MEKÂNLAR VE SİNEMAS…Falling for the Amphibian Man: Fantasy, Otherness, and Auteurism in del Toro’s The Shape of Water (2019)Falling for the Amphibian Man…The Nigerian film industry and literary adaptation: The journey of things fall apart from page to screen (2010)The Nigerian film industry an…Moving cinema (2009)Moving cinemaIs There an Indian Way of Filmmaking? (2007)Is There an Indian Way of Fil…Lenin and Philosophy and Other Essays (1971)Visual Pleasure and Narrative Cinema (1975)3.2. MARXISM AND LITERATURE (2006)Among the Ibos of Nigeria (1921)Theatre, a way of seeing (1980)Between Theater and Anthropology (1985)Dipesh Chakrabarty . Provincializing Europe: Postcolonial Thought and Historical Difference. (Princeton Studies in Culture/Power/History.) Princeton: Princeton University Press. 2000. Pp. xii, 301. Cloth $55.00, paper $16.95 (2001)Landscapes of Expression: Affective Encounters in South Indian Cinema (2011)“The cracks of post-liberalized India”: Storying the “New Society” through Banerjee’sThe Harappa Files(2011) (2016)Prime Time Soap Operas on Indian Television (2020)Place and Placelessness (1978)Postmodern geographies: the reassertion of space in critical social theory (1989)Postmetropolis: Critical Studies of Cities and Regions (2000)Mimarlıkta Yer(siz)leşme Kavramı: Parazit Filmi Üzerinden Bir Okuma (2024)The American Cinema: Directors and Directions, 1929-1968 (1968)Ideology and the Image: Social Representation in the Cinema and Other Media (1983)Homeward Bound: American Families in the Cold War Era (1989)Editorial: Mobilities, Immobilities and Moorings (2006)The New Mobilities Paradigm (2006)Place and Placelessness (2018)
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  • 2007Is There an Indian Way of Filmmaking?71 cited
  • 2019SİNEMASAL MEKÂNLAR VE SİNEMASAL MEKÂNLARIN ÇÖZÜMLENMESİ18 cited
  • 2010The Nigerian film industry and literary adaptation: The journey of things fall apart from page to screen14 cited
  • 2019Falling for the Amphibian Man: Fantasy, Otherness, and Auteurism in del Toro’s The Shape of Water6 cited
  • 2021From car frenzy to car troubles: automobilites, highway driving and the road movie in experimental film5 cited
  • 2009Moving cinema4 cited

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