Ideology and the Image: Social Representation in the Cinema and Other Media

Abstract

To what degree, Nichols asks, does ideology inform images in films, advertising, and other media? Does the cinema or any other sign system liberate or manipulate us? How can we as spectators know when the media are subtly perpetuating a specific set of values? To address these issues, the author draws from a variety of approaches Marxism, psycholanalysis, communication theory, semiotics, structuralism, the psychology of perception. Working with two interrelated theories ideology and image-systems, and ideology and principles of textual criticism Nichols shows how and why we make emotional investments in sign sytsems with an ideological context.

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 245 citations exist upstream.