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Cited by

• 2013Western music as world music57 cited
• 2023Music, social cohesion, and intercultural understanding: A conceptual framework for intercultural music engagement50 cited
• 2016The ethical potential of sound in public space: Migrant pan flute music and its potential to create moments of conviviality in a ‘failed’ public square47 cited
• 2011Songs in Their Heads: Music and Its Meaning in Children’s Lives (2nd ed.).39 cited
• 2010‘New face of Serbia’ at the Eurovision Song Contest: international media spectacle and national identity125 cited
• 2017How to Protect Traditional Folk Music? Some Reflections upon Traditional Knowledge and Copyright Law18 cited
• 2024Music, Encounter, Togetherness17 cited
• 2020Cuban Music Is African Music14 cited
• 2020World Music and the Black Atlantic10 cited
• 2016Bi-musicality and dialogical musicality: Influences of Javanese gamelan participation on Western instrumental learning9 cited
• 2013Old, New, Borrowed … : Hybridity in the Okinawan Guitarscape5 cited
• 2014Assessing ngoma-ness:a generic cross-cultural framework for African musical arts education4 cited
• 2011Recording the Vitamins of African Music3 cited
• 2011World music, authenticity and Africa: Reading Cesaria Evora and Ali Farka Toure