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“The Best Tradition Goes On”: Audience Consumption and the Transformation of Popular Theatre in Neoliberal Ghana
14 references·2 citing·43 second hop
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References

  • 2020Occult Economies and the Violence of Abstraction: Notes from the South African Postcolony766 cited
  • 1973The Center out There: Pilgrim's Goal624 cited
  • 1995Consumption and Commodities362 cited
  • 2003Memories of the Slave Trade: Ritual and Historical Imagination in Sierra Leone242 cited
  • 1995Islamic society and state power in Senegal: disciples and citizens in Fatick194 cited
  • 1983The Politics of Sufism: Redefining the Saints of Pakistan166 cited
  • 1999The formation of an ‘Islamic sphere’ in French Colonial West Africa158 cited
  • 1995The Political Economy of Religious Commodities in Cairo153 cited
  • 1997Knowledge and Practice in Mayotte: Local Discourses of Islam, Sorcery and Spirit Possession138 cited
  • 2002Embodying Charisma: Modernity, Locality and the Performance of Emotion in Sufi Cults131 cited
  • 1995Beyond the Stream: Islam and Society in a West African Town78 cited
  • 2003Studies in Islamic Mysticism68 cited
  • 1992on scriptural essentialism and ritual variation: Muslim sacrifice in Sumatra and Morocco62 cited
  • 1985Le Wahabisme à Bamako (1945-1985)49 cited

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  • 2007Introduction: Islam and Muslim Politics in Africa

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56 cited
  • 2015DRESSED IN PHOTOGRAPHS: BETWEEN UNIFORMIZATION, SELF-ENHANCEMENT AND THE PROMOTION OF STARS AND LEADERS IN BAMAKO2 cited