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Cited by

• 2002Eroticism for the masses: Japanese manga comiss and their assimilation into the U.S.37 cited
• 2001Cartoons from Another Planet: Japanese Animation as Cross‐Cultural Communication28 cited
• 2001Cartoons from Another Planet: Japanese Animation as Cross-Cultural Communication20 cited
• 2002Towards the feminine sublime, or the story of 'a twinkling monad, shape-shifting across dimension': intermediality, fantasy and special effects in cyberpunk film and animation18 cited
• 2020Transmedia storytelling in the Malaysian animation industry: embedding local culture into commercially developed products11 cited
• 2016Animation, Branding and Authorship in the Construction of the ‘Anti-Disney’ Ethos: Hayao Miyazaki’s Works and Persona through Disney Film Criticism8 cited
• 2019“Branding”, autoría y adaptación transmedia en los productos oficiales de Studio Ghibli: el “estilo Miyazaki” en los videojuegos de la saga Ni No Kuni (2011-2018)3 cited