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The Cadential IV in Rock
9 references·16 citing·32 second hop
The Cadential IV in Rock (2011)The Cadential IV in RockA corpus analysis of rock harmony (2011)A corpus analysis of rock har…The melodic-harmonic ‘divorce’ in rock (2007)The melodic-harmonic ‘divorce…Music in the Galant Style (2007)Music in the Galant StyleMaking Sense of Rock’s Tonal Systems (2004)Making Sense of Rock’s Tonal …(Ac)cumulative Form in Pop-Rock Music (2004)(Ac)cumulative Form in Pop-Ro…What to Listen For in Rock (2002)What to Listen For in RockSyncopation in rock: a perceptual perspective (1999)Syncopation in rock: a percep…Understanding Rock (1997)Understanding RockThe so-called ‘flattened seventh’ in rock (1995)The so-called ‘flattened seve…Teleology in Verse–Prechorus–Chorus Form, 1965–2020 (2022)Teleology in Verse–Prechorus–…Gestural Perspectives on Popular-Music Performance (2022)Gestural Perspectives on Popu…The Logic of Six-Based Minor for Harmonic Analyses of Popular Music (2021)The Logic of Six-Based Minor …Using Drumbeats to Theorize Meter in Quintuple and Septuple Grooves (2020)Using Drumbeats to Theorize M…Play with Closing Markers: Cadential Multivalence in 1960s Prechoruses and Related Schemas (2019)Play with Closing Markers: Ca…Plateau Loops and Hybrid Tonics in Recent Pop Music (2019)Plateau Loops and Hybrid Toni…Rock Harmony Reconsidered: Tonal, Modal and Contrapuntal Voice‐Leading Systems in Radiohead (2017)Rock Harmony Reconsidered: To…Interactions between Harmony and Form in a Corpus of Rock Music (2017)Interactions between Harmony …Harmonic Function in Rock Music (2016)Harmonic Function in Rock Mus…“The Times They Were A-Changin’”: A Database-Driven Approach to the Evolution of Musical Syntax in Popular Music from the 1960s (2015)“The Times They Were A-Changi…Modal Tonicization in Rock: The Special Case of the Lydian Scale (2013)Modal Tonicization in Rock: T…Tonal Pairing and the Relative-Key Paradox in the Music of Elliott Smith (2012)Tonal Pairing and the Relativ…Timbre as Differentiation in Indie Music (2012)Timbre as Differentiation in …Scalar Shift in Popular Music (2011)Scalar Shift in Popular MusicHarmonic Expectation in Twelve-Bar Blues Progressions (2011)Harmonic Expectation in Twelv…Form and Voice Leading in Early Beatles Songs (2011)Form and Voice Leading in Ear…Studying Popular Music (1990)Studying Popular Music (1991)The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model (1993)Meter and Grouping in African Music: A View from Music Theory (2000)Formal Functions of Metric Dissonance in Rock Music (2014)A Platonic Model of Funky Rhythms (2016)Running with the devil: power, gender, and madness in heavy metal music (1993)Counterpoint in Rock Music: Unpacking the “Melodic-Harmonic Divorce” (2015)Analysing popular music: theory, method and practice (1982)Studying Popular Music (1991)Metric Ambiguity and Flow in Rap Music: A Corpus-Assisted Study of Outkast's "Mainstream" (1996) (2017)The Syntax of Jazz Harmony: Diatonic Tonality, Phrase Structure, and Form (2020)The Structure of Atonal Music (1974)Dancing in the distraction factory: music television and popular culture (1993)Discographies: dance music, culture and the politics of sound (2000)Form as Process: The Buildup Introduction in Popular Music (2015)Analyzing Gospel (2019)Rhythm and Noise: An Aesthetics of Rock (1996)Music genres and corporate cultures (2000)Music Genres and Corporate Cultures (2010)Female Subjectivities in the Words, Music, and Images of Progressive Metal (2023)Fragile, Emergent, and Absent Tonics in Pop and Rock Songs (2017)Good things come in threes: triplet flow in recent hip-hop music (2019)Guitar Voicing in Pop-Rock Music (2011)Tonal Ambiguity in Popular Music’s Axis Progressions (2017)Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 (2009)Towards a generative syntax of tonal harmony (2011)M eyer's Anvil: Revisiting the Schema Concept (2012)Subverting the Verse–Chorus Paradigm (2013)Marxist music analysis without Adorno: popular music and urban geography (2003)Music of the youth revolution: rock through the 1960s (2004)Songs for Hands (2013)
this work references cited by second hop

References

  • 2007Music in the Galant Style432 cited
  • 2011A corpus analysis of rock harmony224 cited
  • 1999Syncopation in rock: a perceptual perspective145 cited
  • 1995The so-called ‘flattened seventh’ in rock140 cited
  • 2004Making Sense of Rock’s Tonal Systems140 cited
  • 2007The melodic-harmonic ‘divorce’ in rock114 cited
  • 2004(Ac)cumulative Form in Pop-Rock Music101 cited
  • 2002What to Listen For in Rock100 cited
  • 1997Understanding Rock71 cited

Cited by

  • 2020Using Drumbeats to Theorize Meter in Quintuple and Septuple Grooves37 cited
  • 2022Teleology in Verse–Prechorus–Chorus Form, 1965–202036 cited
  • 2012Timbre as Differentiation in Indie Music31 cited
  • 2017Rock Harmony Reconsidered: Tonal, Modal and Contrapuntal Voice‐Leading Systems in Radiohead30 cited
  • 2016Harmonic Function in Rock Music26 cited
  • 2011Form and Voice Leading in Early Beatles Songs19 cited
  • 2022Gestural Perspectives on Popular-Music Performance18 cited

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2011
Scalar Shift in Popular Music
18 cited
  • 2015“The Times They Were A-Changin’”: A Database-Driven Approach to the Evolution of Musical Syntax in Popular Music from the 1960s17 cited
  • 2017Interactions between Harmony and Form in a Corpus of Rock Music15 cited
  • 2019Play with Closing Markers: Cadential Multivalence in 1960s Prechoruses and Related Schemas10 cited
  • 2019Plateau Loops and Hybrid Tonics in Recent Pop Music10 cited
  • 2021The Logic of Six-Based Minor for Harmonic Analyses of Popular Music8 cited
  • 2013Modal Tonicization in Rock: The Special Case of the Lydian Scale8 cited
  • 2011Harmonic Expectation in Twelve-Bar Blues Progressions7 cited
  • 2012Tonal Pairing and the Relative-Key Paradox in the Music of Elliott Smith6 cited