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Cited by

• 2003Determining the Value of Cultural Goods: How Much (or How Little) Does Contingent Valuation Tell Us?380 cited
• 2002Publishing as Prostitution? Choosing between One's Own Ideas and Academic Failure76 cited
• 2010Analysing cultural policy: incorrigibly plural or ontologically incompatible?70 cited
• 1999State Support and Creativity in the Arts: Some New Considerations69 cited
• 2003Publishing as prostitution? — Choosing between one’s own ideas and academic success67 cited
• 2009Explicit and implicit cultural policy: some economic aspects45 cited
• 2006Chapter 24 Human Capital and Artists' Labour Markets42 cited
• 2017Technical efficiency in the Italian performing arts companies39 cited
• 2016Economic impact of a religious and tourist event37 cited
• 1999Should Cultural Goods Be Treated Differently?36 cited
• 2006Valuing the Arts: Theorising and Realising Cultural Capital in an Australian City34 cited
• 2001Using ‘Economic’ Impact Studies in Arts and Cultural Advocacy: A Cautionary Note33 cited
• 2004Competition and the Non-Profit Arts: The Lost Industrial Organization Agenda31 cited
• 2003Cultural and Sport Economics: Conceptual Twins?30 cited