The Necessity of Theater
Abstract
Abstract The Necessity of Theater examines the whole art of theater, which teaches us how best to watch and be watched, and is as necessary to human life as language. We practice the art of theater on the formal stage, but also in sports events, weddings, and ceremonies of all kinds. The book begins by defining the art in a broad way, so as to include as many kinds of theater as possible across world cultures. After defining theater, The Necessity of Theater examines in turn each of the main elements of its two main components: the art of watching and that of being watched. Performers practice the art of making their actions worth watching. This means that they should pay attention to such elements as action, choice, plot, character, mimesis, and the sacredness of performance space. All of these are covered in the book. Audiences practice the art of paying attention to the actions before them. To do that they need to know how to find events worth watching. A good audience is emotionally engaged through one of the many forms of empathy that are distinguished in this book, one of which leads to human wisdom. Plato's ancient attack on theater is right in that theater cannot teach us transcendent truths, but theater does each us about ourselves.
Cite this
Paul B. Woodruff (2008). The Necessity of Theater. https://doi.org/10.1093/acprof:oso/9780195332001.001.0001
@book{b2008the,
title = {The Necessity of Theater},
author = {Woodruff, Paul B.},
year = {2008},
doi = {10.1093/acprof:oso/9780195332001.001.0001}
}Citations in this library
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