Der Ursprung des Kunstwerkes

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Phenomenology and Existential Philosophy Art, Aesthetics, and Perception Ethics, Aesthetics, and Art

Abstract

Written by Martin Heidegger in 1935, just after his infamous Nazi engagement (1933-34) and at the beginning of the Kehre or “turn” in his thought, the essay Der Ursprung des Kunstwerkes (The Origin of the Work of Art) has been called a work of “passage” from the early to the late Heidegger. It goes far beyond the aesthetic realm narrowly conceived to present controversial political views and even the framework for a new ontology.

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2014Ecology: Its relative importance and absolute irrelevance for a Christian: A Kierkegaardian transversal space for the controversy on eco-theology 1968The Still Life as a Personal Object—A Note on Heidegger and van Gogh 2009Phenomenology and the Poststructural Critique of Experience 1996Art and experience 2011Afterlives of modernism: liberalism, transnationalism, and political critique 2017Art as a Political Witness 2021Continental Philosophy of Technoscience 2024Atmosphären-Ästhetik

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