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Der Ursprung des Kunstwerkes
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  • 2014Ecology: Its relative importance and absolute irrelevance for a Christian: A Kierkegaardian transversal space for the controversy on eco-theology154 cited
  • 1968The Still Life as a Personal Object—A Note on Heidegger and van Gogh95 cited
  • 2009Phenomenology and the Poststructural Critique of Experience71 cited
  • 1996Art and experience44 cited
  • 2011Afterlives of modernism: liberalism, transnationalism, and political critique31 cited
  • 2017Art as a Political Witness24 cited
  • 2021Continental Philosophy of Technoscience21 cited
  • 2024Atmosphären-Ästhetik17 cited
  • 2018Development of the flute from pre-history to modern days15 cited
  • 2003»Der Ursprung des Kunstwerkes«12 cited
  • 2000Doubting the OBJECT World12 cited
  • 2011Being Through the Past: Reflections on Swedish Archaeology and Heritage Management12 cited
  • 2018Transpositions : Aesthetico-Epistemic Operators in Artistic Research8 cited
  • 2009Reframing economic development: thing or mystery?5 cited
  • 2000Das Musikwerk im Spannungsfeld von »Ausdruck« und »Erleben«: Heinrich Besselers musikhistoriographischer Ansatz

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5 cited
  • 1988Theorizing as artful inscription.3 cited