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The Object of Performance: The American Avant-Garde since 1970
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Cited by

  • 2000Reproducing civil rights tactics: The rhetorical performances of the civil rights memorial87 cited
  • 2002The Routledge Reader in Politics and Performance57 cited
  • 2008Marina Abramović'sSeven Easy Pieces:Critical Documentation Strategies for Preserving Art's History52 cited
  • 2016The Cambridge Introduction to Performance Theory48 cited
  • 2003Why Performance? Why Now? Textuality and the Rearticulation of Human Presence48 cited
  • 2005Staging Meaning: Performance in the Modern Museum37 cited
  • 2009The Performative Force of Photography36 cited
  • 2002Visual and Performance Studies25 cited
  • 2012Theater jenseits des Dramas: Postdramatisches Theater23 cited
  • 2012On Duration and Multiplicity16 cited
  • 2016Caught in the Act: Photography on the Victorian Stage16 cited
  • 2006“As if they didn’t hear the music,” Or: How I Learned to Stop Worrying and Love Mickey Mouse14 cited
  • 2006Once Blind, Now Seeing: Problematics of Confessional Performance14 cited
  • 2013Inheriting the Avant-Garde: Merce Cunningham, Marcel Duchamp, and the “Legacy Plan”12 cited
  • 2008Performing Amputation: The Photographs of Joel-Peter Witkin

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11 cited
  • 1992What Is Left of Performance Art? Autopsy of a Function, Birth of a Genre10 cited