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I DRAW THE LINE AT STRINGING PEARLS
16 references·4 citing·42 second hop
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References

  • 2004Affective Economies3,092 cited
  • 1990Crafting Selves1,413 cited
  • 2008In the Social Factory?1,361 cited
  • 2002CLUBS TO COMPANIES: NOTES ON THE DECLINE OF POLITICAL CULTURE IN SPEEDED UP CREATIVE WORLDS640 cited
  • 2010Valuing the Unique624 cited
  • 2005The Craft Consumer534 cited
  • 2006Bodies at Work432 cited
  • 2009Economies of affect263 cited
  • 2011Reflections On Feminism, Immaterial Labour And The Post-Fordist Regime229 cited
  • 2000Wild Things225 cited
  • 2010Cruel Optimism170 cited
  • 2008Beyond the Self-expressive Creative Worker161 cited
  • 2009The Sensorium at Work: The Sensory Phenomenology of the Working Body121 cited
  • 2004From Industrial District to 'Urban Village'? Manufacturing, Money and Consumption in Birmingham's Jewellery Quarter49 cited
  • 2009Globalization, the `new economy' and working women40 cited
  • 2006Glassblowing Tools: Extending the Body Towards Practical Knowledge and Informing a Social World31 cited

Cited by

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  • 2018“Hopeful Work” and the Creative Economy15 cited
  • 2023Self-entrepreneurship in uncertain futures: The case of performing artists in Italy10 cited
  • 2021Hoping amidst precarity: Changing modes of hope in the vicissitudes of a Chinese art village9 cited
  • 2024Social Systems of Flexible Production: Organizational Conditions for the Resurgence of Craft6 cited