Counterpoint: Based on Eighteenth-Century Practice

Kent Kennan

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Musicology and Musical Analysis Diverse Music Education Insights Literature, Musicology, and Cultural Analysis

Abstract

1. Introduction. 2. The Single Melodic Line. 3. Principles of Two-Voice Counterpoint. 4. Two-Voice Exercises, 1:1, 2:1 5. Chromaticism (Two Voices). 6. Two-Voice Exercises (Concluded). 7. Writing of Short Two-Voice Pieces. 8. Canon. 9. Invertible Counterpoint. 10. The Two-Part Invention Motive Development. 11. Three-Voice Counterpoint. 12. Writing of Short Pieces, Three Voices. 13. Imitation in Three Voices. 14. The Three-Part Invention The Trio Sonata. 15. Fugue. 16. Fugue (Continued). 17. Fugue (Concluded). 18. Forms Based on the Chorale. 19. Contrapuntal Variation Forms.

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