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Counterpoint: Based on Eighteenth-Century Practice
0 references·3 citing·9 second hop
Counterpoint: Based on Eighteenth-Century Practice (1972)Counterpoint: Based on Eighteenth-Century…Teaching Music Performance in Higher Education (2024)Teaching Music Performance in…A memória e o valor da síncope: da diferença do que ensinam os antigos e os modernos (2010)A memória e o valor da síncop…Bach's Well-tempered clavier (2002)Bach's Well-tempered clavierThe Style of Palestrina and the Dissonance (1946)Source Readings in Music History (1952)Classic Music: Expression, Form, and Style (1981)Johann Mattheson's Der vollkommene Capellmeister: A revised translation with critical commentary (1981)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Theories of fugue from the age of Josquin to the age of Bach (2001)The reflective practitioner: How professionals think in action (1984)Educating the reflective practitioner (1987)A meta-analytic test of intergroup contact theory. (2006)
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  • 2002Bach's Well-tempered clavier10 cited
  • 2024Teaching Music Performance in Higher Education7 cited
  • 2010A memória e o valor da síncope: da diferença do que ensinam os antigos e os modernos4 cited

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