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Bela Bartok Essays
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Bela Bartok Essays (1976)Bela Bartok EssaysBéla Bartók's Evolutionary Model of Folk Music (2016)Béla Bartók's Evolutionary Mo…Music on the move, as object, as commodity (2015)Music on the move, as object,…Evolutionary Categories and Musical Style from Adler to America (2014)Evolutionary Categories and M…Stravinsky's piano: genesis of a musical language (2013)Stravinsky's piano: genesis o…Stravinsky and the Russian period: sound and legacy of a musical idiom (2013)Stravinsky and the Russian pe…All the Pain and Joy of the World in a Single Melody: A Transylvanian Case Study on Musical Emotion (2009)All the Pain and Joy of the W…Continuity in Composing the American Cross-Cultural: Eichheim, Cowell, and Japan (2008)Continuity in Composing the A…'Where next? New music, new musicology' (2007)'Where next? New music, new m…Gathering the voices of the people? Cecil Sharp, cultural hybridity, and the folk music of Appalachia (2006)Gathering the voices of the p…Fritz Reiner, maestro and martinet (2006)Fritz Reiner, maestro and mar…A Hungarian Patriot in American Exile: Béla Bartók and Émigré Politics (2005)A Hungarian Patriot in Americ…Chopin's Mazurkas and the Myth of the Folk (1999)Chopin's Mazurkas and the Myt…Birds in concert: North American birdsong in Bartók's Piano Concerto No. 3 (1994)Birds in concert: North Ameri…Javanese Influence on Debussy's "Fantaisie" and beyond (1986)Javanese Influence on Debussy…Bartók's Notation: Tonality and Modality (1983)Bartók's Notation: Tonality a…The Musical Language of Bartók's 14 Bagatelles for Piano (1981)The Musical Language of Bartó…Between Romanticism and Modernism (1980)God's Playground: A History of Poland (1983)Defining Russia Musically (1997)Chopin and the Romantic Sonata: The First Movement of Op. 58 (2014)Romanticism, music, nationalism (2014)The Beethoven Syndrome (2020)Glimpses of unfamiliar Japan (1894)Colin McPhee: composer in two worlds (1991)New Music, New AlliesAmerican Experimental Music in West Germany from the Zero Hour to Reunification (2006)In the Tradition of Dissent (2013)The Life and Music of Bela Bartok (1953)Béla Bartók - letters; (1971)Bela Bartok and Turn-of-the-Century Budapest (1998)Emotion and Meaning in Music (1957)Emotion and Meaning in Music (1961)Advances in Consumer Research (1992)The Golden Web: A History of Broadcasting in the United States (1969)Opera in America: A Cultural History (1994)Late idyll: the second symphony of Johannes Brahms (1995)Debussy; his life and mind. (1965)Music Cultures of the Pacific, the Near East and Asia (1967)Some Instances of Parallel Voice-Leading in Debussy (1987)World Music in Television Ads (2000)Music, Encounter, Togetherness (2024)Primitive Culture: Researches Into the Development of Mythology, Philosophy, Religion, Art, and Custom (1974)Albion's Seed: Four British Folkways in America (1990)Colonial Desire: Hybridity in Theory, Culture and Race. (1996)“The Graves of the Gallant Highlanders”: Memory, Interpretation and Narratives of Culloden (2007)Hick-Hop Hooray? “Honky Tonk Badonkadonk,” Musical Genre, and the Misrecognitions of Hybridity (2010)Performing Guangzhou and Guangzhou Ren: analysing popular music in Guangzhou (2014)Re: Harmonic Procedure in the "Fourth Quartet" of Bela Bartok (1959)Serial Composition and Atonality (1962)Serial Composition and Atonality (1978)The descent of man, and selection in relation to sex (1871)The descent of man and selection in relation to sex (1907)We have never been modern (1994)From Beethoven to Beyoncé: Do Changing Aesthetic Cultures Amount to “Cumulative Cultural Evolution?” (2022)Cultural Evolution and Music (2023)The Modularity of Mind (1983)The Ideology of the Aesthetic (1988)The orchestral music of Michael Tippett: creative development and the compositional process (2015)Geometric Generalizations of the Tonnetz and Their Relation to Fourier Phases Spaces (2018)Metric Manipulations in Post-Tonal Music (2020)
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  • 1986Javanese Influence on Debussy's "Fantaisie" and beyond48 cited
  • 2014Evolutionary Categories and Musical Style from Adler to America44 cited
  • 2006Fritz Reiner, maestro and martinet30 cited
  • 1999Chopin's Mazurkas and the Myth of the Folk25 cited
  • 2006Gathering the voices of the people? Cecil Sharp, cultural hybridity, and the folk music of Appalachia22 cited
  • 2009All the Pain and Joy of the World in a Single Melody: A Transylvanian Case Study on Musical Emotion15 cited
  • 2013Stravinsky and the Russian period: sound and legacy of a musical idiom15 cited
  • 2008Continuity in Composing the American Cross-Cultural: Eichheim, Cowell, and Japan6 cited
  • 1981The Musical Language of Bartók's 14 Bagatelles for Piano6 cited
  • 2005A Hungarian Patriot in American Exile: Béla Bartók and Émigré Politics5 cited
  • 1983Bartók's Notation: Tonality and Modality5 cited
  • 2015Music on the move, as object, as commodity4 cited
  • 2007'Where next? New music, new musicology'4 cited
  • 1994Birds in concert: North American birdsong in Bartók's Piano Concerto No. 34 cited
  • 2016

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Béla Bartók's Evolutionary Model of Folk Music
4 cited
  • 2013Stravinsky's piano: genesis of a musical language4 cited