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Schenkerian analysis and Popular Music
11 references·1 citing·32 second hop
Schenkerian analysis and Popular Music (2000)Schenkerian analysis and Popular MusicRock: The Primary Text (2018)Rock: The Primary TextThe Beatles, Sgt. Pepper's Lonely Hearts Club Band (1998)The Beatles, Sgt. Pepper's Lo…The American Popular Ballad of the Golden Era, 1924-1950 (1998)The American Popular Ballad o…Performing Rites: Evaluating Popular Music (1998)Performing Rites: Evaluating …The masterwork in music (1994)The masterwork in musicPatterns of harmony (1992)Patterns of harmonyMusic, imagination, and culture (1991)Music, imagination, and cultu…Music, Imagination and Culture (1991)Music, Imagination and CultureFantastic Remembrance in John Lennon's “Strawberry Fields Forever” and “Julia” (1986)Fantastic Remembrance in John…Gershwin's Art of Counterpoint (1984)Gershwin's Art of Counterpoint: Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster. (1981): Free Composition (Der Freie…An exploration of melody, harmony, and improvisation in the music of Stevie Wonder (2013)An exploration of melody, har…On Popular Music (1941)Studying Popular Music (1990)Studying Popular Music (1991)The Structure, Function, and Genesis of the Prechorus (2011)Counterpoint in Rock Music: Unpacking the “Melodic-Harmonic Divorce” (2015)Chord Context and Harmonic Function in Tonal Music (2018)Structural relationships of music and images in music video (1994)The future of rock: discourses that struggle to define a genre (1995)The Musicology of Record Production (2007)The Hendrix chord: blues, flexible pitch relationships, and self-standing harmony (2007)The power ballad (2012)Ordered Step Motives in Jazz Standards (2013)On the enduring popularity of Cream's ‘Sunshine of Your Love’: sonic synecdoche of the ‘psychedelic 60s’ (1999)Popular Music Analysis in American Music Theory (2005)Theory and Method in Popular Music Analysis: Text and Meaning (2012)The Routledge Companion to Aesthetics (2005)The Anthropology of Texts, Persons and Publics (2007)Towards a critical understanding of music, emotion and self‐identity (2008)Rhythm in twentieth-century theory (2002)Toward a Theory of Recapitulatory Tonal Alterations (2019)Calculating Tonal Tension (1996)Crossmodal correspondences between sounds and tastes (2012)Music Theory and the White Racial Frame (2020)Are Pianists Different? Some Evidence from Performers and Non-Performers (2000)Introduction: Harmony or Dissonance? Copyright Concepts and Musical Practice (2006)Meaning construction in verbomusical environments: Conceptual disintegration and metonymy (2014)‘Nothing You Can See That Isn't Shown’: the album covers of the Beatles (2001)Narrative Theory as an Analytical Tool in the Study of Popular Music Texts (2007)The Concept Album as Visual—Sonic—Textual Spectacle: The Transmedial Storyworld of Coldplay’s Mylo Xyloto (2016)After Adorno : rethinking music sociology (2003)Key themes in media theory (2007)Space-form and the acousmatic image (2007)
this work references cited by second hop

References

  • 1998Performing Rites: Evaluating Popular Music287 cited
  • 1991Music, imagination, and culture214 cited
  • 1981: Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster.143 cited
  • 2018Rock: The Primary Text91 cited
  • 1992Patterns of harmony81 cited
  • 1998The Beatles, Sgt. Pepper's Lonely Hearts Club Band63 cited
  • 1991Music, Imagination and Culture30 cited
  • 1998The American Popular Ballad of the Golden Era, 1924-195026 cited
  • 1994The masterwork in music19 cited
  • 1986Fantastic Remembrance in John Lennon's “Strawberry Fields Forever” and “Julia”16 cited
  • 1984Gershwin's Art of Counterpoint14 cited

Cited by

  • 2013An exploration of melody, harmony, and improvisation in the music of Stevie Wonder4 cited

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